Massive thanks and serious respect to Acid Death 🤘💀
Cheers to the band for taking the time to sit down with The Riff Report Blog and dive deep into riffs, roots, and all things gloriously extreme. Legends from the Greek underground doing things properly — sharp minds, heavy sounds, zero ego. Exactly how it should be 🔥
If you somehow haven’t locked into Acid Death yet, get stuck in below and prepare your neck accordingly:
🌐 Official site: https://www.aciddeath.net/
📘 Facebook: https://www.facebook.com/AcidDeathGR
📺 YouTube: https://www.youtube.com/aciddeathgr
📸 Instagram: https://www.instagram.com/aciddeathgr/
Big love from Wales 🖤
More riffs, more chaos, more interviews incoming… stay loud 🤘
🔥 Origins, Chaos & Early Days
1. Acid Death were brewing extreme metal in Greece long before it was fashionable. What was the underground scene like when you first started, and did it feel like you were pushing against the tide?
Well, that’s a really good question! Extreme Metal in Greece wasn’t so unknown when we started the band in 1989… There was Extreme Metal scene in Greece but in a rather different forms. There were many Grindcore, Punk and Hardcore bands those days. Thrash and Death Metal were at the first steps. We started as a Death/Thrash band at the first recordings. Progressive elements came to our music later, in 1995. When we released “Pieces Of Mankind” album the title “Progressive Death Metal” followed us and actually we were the first Greek band with this title. Yes, it was not easy but today there are many Greek bands that play Death Metal with Progressive elements.
2. Savvas and Dennis, as founding members, what was the original vision for Acid Death? Did you always plan to be this experimental, or did it evolve naturally through trial, error and noise?
Well, we didn’t have that plan in mind. The first thought back in 1989 was to play fast music like our idols… After the recordings or our very first album, “Balance Of Power” that included some technical elements, we decided that adding some more experimental parts would give a different and better taste in our music. So we actually changed our music direction to more technical ways. Of course the trials were in our daily routine, we had rehearsals 3-4 days in a week. It wasn’t easy at the first steps!
3. Early Acid Death material feels raw, unhinged and fearless. Were there any rules you deliberately broke back then just to see what would happen?
Yes. At first we decided not to follow any of the current music styles that were poplar at any season. You know, Gothic Metal, Alternative, a more “Paradise Lost” style, or even a more Swedish Death Metal style… We had the thought that “breake the rule of trying to be popular, just try to be yourself” will work for us. After many-many years this worked for us.
🧠 Experimental Sound & Musical Evolution
4. Acid Death have never sat comfortably in one genre box. How important is experimentation to the band’s identity?
It was and still is very-very important! We always try to be better album-by-album. The “easy” way of sitting comfortably in a box is something we don’t like as stance in life generally. This is clear to our music also. That’s ACID DEATH.
5. Do you ever worry about alienating parts of the death metal crowd by pushing boundaries, or is that half the fun?
No.. We just do our best, presenting our songs with the better way we can. It is more honest that everything else. Sometimes, yes, there are some fans who don’t accept our music. But the same happened to all bands that play live. You cannot be “ok” for everyone!
6. Looking back across the discography, which album best represents Acid Death right now, not just musically but mentally?
For sure our latest one,“Evolution”. It includes all the musical elements of our course and mentally it is an album that has a very clear and contemporary theme. Human Evolution through the Ages.
🥁 Line-Ups, Brotherhood & Musical Chemistry
7. Acid Death’s line-up has evolved over the years. How has each member shaped the band’s sound and attitude?
The truth is that our lineup is stable from 2012 when we released or 1st “come back” album, “Eidolon”. There were some line up changes in the past but nothing special. It is very important for a band to have a good and stable line up so everyone knows the good and bad elements of the other members and all together create on a stable basis. That is our big advantage. We are more a family that a typical band.
8. Kostas and John, what was it like stepping into a band with such a cult legacy already attached?
Kostas was a big ACID DEATH fan in early 90’s He was following us at the local Athenian shows, he had always a good thing to say on our music. On the other hand, John was a newer fan after band’s come back in 2011. Both guys entered the band and give their 100% on what we do
9. When new members join, is it more about technical skill, mindset, or surviving rehearsals without losing your sanity?
Actually it was a serious decision for band survival. The older members back in 2000 were not the ideal cooperators. So many problems and most of all were buried under the carpet.. ACID DEATH is a band, not just some people who exist together and create problems the one to the other. John and Kostas were the idea cooperators in this trip but finally they became a family. Not just musicians who play in a band.
🕯️ Legacy Members & Influences
10. Past members like Themis Katsimichas and Gus G played key roles in the band’s journey. How important were those chapters in shaping what Acid Death became?
Themis Katsimichas was the lyric creator that season. We are talking about years 1992 to 1999. He made to create the lyrical profile of the band, including influences from personalities like Stephen King or Clive Barker. It as a really bis shock when he decided to quit the band, on the other hand is was a life decision. We totally understood that decision. Gus K, was just a guitar player who joined the band for just one year. Nothing more.
11. Are there any riffs, songs or moments from former line-ups that still haunt the band in a good way?
Yes, we still add some songs from band’s first period in our set lists. E.x. “Apathy Murders Hope” is a song that we always play at shows.
12. If you could pull one former member back in for a one-off Acid Death chaos set, who would it be and why?
Sorry to tell…No one! Except Themis Katsimichas, who joined our show 1-2 time in the recent past, as guest member.
🎸 Live Shows & Controlled Mayhem
13. Acid Death on record is intense, but Acid Death live feels dangerous. How do you translate that experimental chaos onto a stage?
It is always a challenge! We try to perform all the tracks on their entirely. For this case we use some pre-recorded parts, not too complex, but with this method we make to perform the tracks in a way like the sound on the records. Of course rehearsing is in our routine, something very important for a live performance.
14. Do you prefer small, sweaty club shows or bigger festival stages where the sound can really stretch its legs?
Actually, yes, we prefer the less big venues with a more familiar atmosphere. But we can perform very well also to big venues of festival stages.
15. Any gigs over the years that went completely off the rails but somehow became legendary?
Yes, it was back in 1993 when we had to play as a trio and it was a decision that was taken on the fly just because Themis was serving his military services.. With no rehearsal for more than 5 months. Just the three of us and we had a headline appearance in an Athenian venue. We thought “no way…It will be a disaster!” It was one of the strongest shows we had ever performed!
🩸 Greek Metal Scene & Underground Survival
16. Greece has produced some iconic extreme metal bands. How do you see Acid Death’s place in that legacy?
– We are part of this legacy. Of course we are less known than megatherions like Rotting Christ or Sepic Flesh, but we belong to the same generation. Imagine that we started almost together with these legends and we are still here creating music and performing live shows as all of them.
17. What advice would you give to new underground bands trying to survive without compromising their sound?
One and only. Be honest with what you do!
18. Does the Greek scene still feel as tight-knit and rebellious as it did in the early days?
This is a big conversation… Of course some things remain the same but actually everyone changes as the years pass. There are really good bands, really good musicians but… Sometimes only social media matter! And this is something we don’t like at all!
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🔮 The Future of Acid Death
19. Is Acid Death still evolving, or have you reached a point where the band finally feels “complete”?
“Sky Is The Limit” as we say! ACID DEATH is still evolving. There are so many good things in music that we have never tried. We are here to try them in the future.
20. What can fans expect next – new material, more experimentation, or total sonic destruction?
At first many live shows. It is too early to talk about a new album but…you nevr know!
21. If Acid Death ended tomorrow, how would you want the band to be remembered?
Of course for the good music and the low and honest profile. That’s what we are.
⚡ Quickfire Riff Report Round
22. Heaviest Acid Death riff ever written?
Forging The Chains” first music theme.
23. Album you wish you’d written?
We dare say… “Spiritual Healing”
24. One word to describe Acid Death in 2026?
“Evolution”
25. Beer after the gig or silence in a dark room?
Beer in a dark room…and one cigarette please!
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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