Every metalhead has that one band they’ll defend to the grave — the one that should have conquered the world, but somehow slipped through the cracks. So, we’re asking the question Metal Hammer just reignited:
Who’s the most underrated metal band of all time?
Let’s dive into a few contenders that deserve way more love from the mainstream — and maybe even from some of us in the pit 👀
⚙️ 1. Overkill
Before Metallica, Slayer, or Anthrax were household names, Overkill were already laying down blistering thrash riffs in the mid-’80s. Yet somehow, they never quite reached the “Big Four” status. Their 2023 album Scorched proved they’ve still got the same fire as day one.
Why they’re underrated: Relentless output, no bad albums, and criminally underappreciated consistency.
🔥 2. King’s X
A blend of groove, prog, and pure emotion, King’s X were always too soulful for thrash fans and too heavy for classic rock crowds. But musicians — from Jerry Cantrell to Devin Townsend — worship them.
Why they’re underrated: They basically invented grunge harmonies before grunge existed.
🕯 3. My Dying Bride
While Paradise Lost and Anathema eventually found wider audiences, My Dying Bride stayed true to their doom-laden melancholy. Gothic riffs, poetic despair, and atmosphere that can crush your soul — they’re metal’s eternal mourners.
Why they’re underrated: Their influence runs deep, but their recognition doesn’t.
💀 4. Death Angel
They survived a bus crash, outlasted the thrash era, and came back swinging with modern classics like The Evil Divide. Despite being technically flawless and fiercely energetic, they’ve never quite had the spotlight they deserve.
Why they’re underrated: Consistently killer albums, never half-measures.
⚡ 5. Prong
Industrial groove metal pioneers that shaped the sound of everyone from Nine Inch Nails to Pantera’s heavier moments. Snap Your Fingers, Snap Your Neck is one of the most neck-breaking riffs ever written.
Why they’re underrated: They built a sound that others became famous for.
🪓 Honourable Mentions
- Trouble – Doom metal before doom was cool.
- Nevermore – Jeff Loomis deserves sainthood for those riffs.
- Carcass – From grindcore to melodic death metal innovators.
- Cathedral – Psychedelic doom weirdness that aged beautifully.
- Sylosis – One of the UK’s finest modern metal exports.
🤔 So… Who Gets Your Vote?
Is it a cult classic band that never got their due? A local act that should be headlining festivals? Drop your pick in the comments or on our socials — let’s give these unsung legends their moment in the sun. 🌞
#TheRiffReport | #MetalHammer | #UnderratedMetalBands
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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