WHAT IS YOUR NAME?!
If you know, you know.
If you don’t know… congratulations. You’re about to discover one of the most gloriously unhinged combinations of comedy, gaming, audience participation and controlled psychological warfare currently rampaging around the planet. 😂
Comedian John Robertson is back with his cult live-action videogame comedy spectacular The Dark Room, and judging by the clips flying around social media, things are going exactly as they should.
Which is to say…
BADLY. VERY BADLY. FOR THE AUDIENCE.
The legendary interactive show is currently tearing through the Edinburgh Festival Fringe, before Robertson takes his darkened chamber of questionable decisions across the Atlantic and eventually down under.
And yes, this absolutely sits in The Riff Report’s wheelhouse.
It’s loud.
It’s ridiculous.
It’s nerdy.
It’s chaotic.
Basically, replace the guitars with an enormous glowing head and we’re home. 🤘🎮
😈 SO… WHAT THE HELL IS THE DARK ROOM?
The Dark Room takes the wonderfully frustrating world of old-school text adventure videogames and turns it into a live comedy gameshow.
Audience members are selected to play.
They’re given choices.
They make what they believe is the sensible decision.
And then John Robertson destroys their hopes and dreams in front of a room full of people.
Beautiful stuff. 😂
The show mixes improvisation, stand-up comedy, gaming culture and audience participation, with Robertson appearing as the terrifying host of the whole thing.
The basic objective sounds simple enough:
Escape The Dark Room.
Good luck with that, butt.
The show has become a genuine cult phenomenon, particularly among gamers, geeks and comedy fans who enjoy watching somebody else make an absolutely catastrophic decision under pressure.
And social media has introduced the madness to an even bigger audience.
Clips from the show have gone viral across TikTok and Instagram, with Robertson’s booming interrogations and interactions with unsuspecting contestants becoming instantly recognisable.
One question in particular has effectively become the battle cry of the entire experience:
🗣️ “WHAT IS YOUR NAME?!”
You can practically hear it while reading that.
The screenshot doing the rounds shows another wonderfully chaotic moment from the touring production, accompanied by the caption:
“THE DARK ROOM: WHAT IS YOUR NAME?!”
The accompanying post simply says:
“The Dark Room is having a wild time on tour!”
Judging by the audience reaction, that might be underselling it slightly.
🎭 THE DARK ROOM HITS EDINBURGH FRINGE
Robertson has brought The Dark Room back to the Edinburgh Festival Fringe for another monster run in 2026.
The show runs from:
📅 5–30 August 2026
📍 Gilded Balloon Patter House – Doonstairs, Edinburgh
⏰ 10:00pm
⏱️ Approximately 60 minutes
Tickets vary depending on the performance, generally sitting between £9.50 and £15.50.
And this isn’t some little experimental Fringe oddity that’s only just appeared from behind a curtain.
The Dark Room has serious history at Edinburgh.
The production sold out its Fringe runs between 2019 and 2025, while its wonderfully bizarre mixture of videogames and live comedy has helped build a seriously devoted following.
For 2026, there are even new deathtraps waiting for players.
Because apparently the existing Dark Room wasn’t traumatising enough. 😈
🤘 WAIT… HASN’T THIS BEEN AT DOWNLOAD?!
Oh yes.
Now we’re talking.
The Dark Room has appeared at places including Download Festival, Glastonbury, PAX and MCM Comic Con, alongside its UK touring adventures.
Which explains why it feels strangely at home around rock and metal crowds.
Think about it.
Hundreds of sweaty people.
Someone shouting.
People making questionable decisions.
Occasional flashing lights.
Everybody laughing at somebody else’s misfortune.
That’s basically a festival campsite after midnight anyway. 🍺😂
There’s a wonderfully rock ‘n’ roll energy surrounding Robertson’s performance too. The Dark Room isn’t polite little sit-down comedy where you’re worried about coughing at the wrong moment.
It’s an experience.
You’re part gameshow contestant, part victim and part member of a baying crowd desperately hoping somebody else gets selected.
🌍 THE DARK ROOM GOES INTERNATIONAL
Once Edinburgh has been thoroughly terrorised, Robertson isn’t putting the giant glowing head back in storage.
The Dark Room’s 2026 adventures continue internationally.
🎮 PAX WEST – SEATTLE
📅 4–7 September 2026
📍 PAX West, Seattle
The Dark Room heads Stateside as part of one of gaming culture’s biggest gatherings.
Frankly, throwing this show into a building packed with hardcore gamers sounds dangerously appropriate.
🗽 NEW YORK DEBUT
📅 9–12 September 2026
📍 ASYLUM NYC, New York
⏰ 7:00pm
This marks The Dark Room’s New York debut.
New Yorkers probably think they’ve seen everything.
They haven’t met John Robertson’s giant floating head yet.
Best of luck, lads. 😂
🇦🇺 PAX AUSTRALIA – MELBOURNE
📅 10 October 2026
📍 PAX Australia, Melbourne
Then it’s back down under as The Dark Room returns to PAX Australia.
Gaming convention + The Dark Room?
That’s basically putting petrol next to a bonfire and wondering what might happen.
🎤 JOHN ROBERTSON IS DOING EVEN MORE AT THE FRINGE
Because apparently one show wasn’t enough chaos for one human being, Robertson is also performing his new stand-up show:
JOHN ROBERTSON: EXCITABLE BOY!
during Edinburgh Fringe.
So if an hour of being screamed at by an enormous illuminated gaming overlord somehow leaves you wanting more Robertson, Edinburgh has you covered.
⚠️ ENTER AT YOUR OWN RISK
Anyone considering entering The Dark Room should probably know what they’re signing themselves up for.
Expect:
🎮 Audience participation
😂 Improvised comedy
🗣️ Strong language
💡 Flashing lights
😈 Terrible decisions
☠️ Questionable survival prospects
And possibly the sudden inability to remember your own bloody name when somebody shouts:
“WHAT IS YOUR NAME?!”
We’ve all been there.
🎮 THE RIFF REPORT VERDICT
We bloody love stuff like this.
Rock and metal culture has always overlapped beautifully with gaming, horror, comedy and general nerdiness, and The Dark Room feels like somebody chucked all four into a blender and pressed the button marked CHAOS.
It’s interactive theatre for people who’d rather be at Download.
It’s a videogame where the controller is human panic.
It’s a gameshow hosted by someone who appears to have absolutely no interest in whether you survive.
Tidy. 😂🤘
And with The Dark Room continuing to explode across social media while touring Edinburgh, Seattle, New York and Melbourne, John Robertson’s wonderfully deranged creation clearly isn’t disappearing into the darkness anytime soon.
So remember…
Should you find yourself sitting in the audience…
Should the lights suddenly hit you…
Should John Robertson turn his attention in your direction…
There is one vitally important thing you need to know.
YOUR NAME.
Because you’re probably going to be asked.
Very loudly.
🎮 WELCOME TO THE DARK ROOM.
Try not to die, mun. 😈🔥
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
