Right thenā¦ gather round, heartbreak survivors, situationship escapees, and anyone whoās ever rolled their eyes at a Ā£12 petrol station teddy bearā¦ because this oneās for YOU šš„
Bailey Spinn has just unleashed āhomicideā ā and bloody hell, it doesnāt just slapā¦ it swings a chair across the room and sets it on fire afterwards š£š¤
Dropped on February 13th (the ultimate anti-Valentineās mic drop, fair play š), this track is a full-throttle emotional detonation wrapped in distortion, attitude, and zero apologies.
š£ LOVE SONGS ARE DEAD ā LONG LIVE THE CHAOS
Forget roses. Forget romance. Forget that awkward card aisle in Tesco.
āhomicideā kicks the door down and replaces all that mush with:
- šø Riffs that snarl like theyāve had enough of your nonsense
- ā” Hooks sharper than a drunk text at 2:47am
- š„ Vocals that sound like theyāve just burned a diary and donāt regret a thing
Produced by Matt Squire (the mastermind behind chaos merchants like Panic! At The Disco and Sum 41), the track hits that perfect sweet spot between polished and absolutely unhinged.
Itās loud. Itās raw. Itās got teeth.
And honestly? Itās exactly what the rock scene needs right now š„
š¤ FROM HEARTBREAK TO āNAH, IāM GOOD ACTUALLYā
This aināt your typical sob-in-the-corner breakup tune, mun.
Nah ā this is the soundtrack to:
š Deleting their number
š Blocking them everywhere
š Realising you were WAY too good for that mess anyway
āhomicideā turns emotional burnout into a proper power move ā a middle finger wrapped in distortion and self-respect šŖš„
Itās catharsis you can scream along toā¦ preferably in the car, windows down, terrifying pedestrians ššØ
š BAILEY SPINN ISNāT MESSING ABOUT
If youāre only just clocking onto Bailey Spinn now ā welcome to the party, butt š
Sheās been building serious momentum with previous bangers like:
- ācriticalā
- āfear of going outā
And her debut album loser (2025)? Absolute stormer.
Especially the fan-favourite happy ending, which smashed past 10 million streams like it was nothing š„
Her whole vibe is this glorious mix of:
šø Y2K alt-rock nostalgia
š Brutally honest storytelling
š„ Modern, donāt-take-any-crap energy
Sheās not just riding the wave ā sheās making the bloody thing š
š TOUR INCOMING ā AND ITāS GONNA BE MAYHEM
As if dropping this weapon of a track wasnāt enough, Baileyās heading out on tour with Dark Divine this spring across North America š¤
Kicking off March 4 at The Palladium in Worcester, this runās shaping up to be:
- š„ Loud
- š¤ Sweaty
- š Slightly unhinged (the best kind)
If her live shows match the energy of āhomicideāā¦ expect chaos, crowd screams, and at least one person losing their voice entirely.
š„ RIFF REPORT VERDICT
āhomicideā isnāt just a song ā itās a statement.
Itās what happens when heartbreak stops being sad and starts getting loud.
And honestly? Weāre backing it all the way.
Because sometimesā¦
You donāt need closure.
You just need a massive riff, a bit of attitudeā¦
and a track that absolutely goes for the throat šš„š¤
š Stick this on full blast, annoy your neighbours, and raise a pint to being gloriously over it š»
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialāfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heās battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heās always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heās not writing or interviewing artists, youāll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicātheyāre about community, friendship, and creating memories that last a lifetime. Thatās exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. š¤
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