Early Entry Mayhem, Forest Tears & Cave Stage Chaos
π Upcote Farm, Cheltenham β July 9, 2025
βοΈ The Riff Report | Covered in glitter and screaming about Graphic Nature since 2pm
ποΈ Welcome to the Cult of Trees
Ah, Wednesday at 2000trees β the day the faithful arrive early, pitch their tents wonkily, and begin the four-day pilgrimage into riff-fuelled nirvana. While the βofficialβ festival doesnβt kick off until Thursday, Trees veterans know the real magic starts on Day Zero.
You get:
- Smaller crowds β
- Shorter bar queues β
- And the smug joy of knowing you were here before it got cool β
If you thought this would be a chill warm-up, youβve clearly never been smashed in the face by a URNE riff while clutching a Β£7 pint and crying to Katie Malco in the woods.
πΆ Who Played β and Who Blew the Roof Off?
π² The Forest Stage β Cry, Hug, Repeat
2000treesβ Forest Stage isnβt just a stage. Itβs a spiritual experience. Fairy lights, acoustic sets, and a vibe so emotional youβd think everyone just rewatched Titanic.
- Katie Malco opened the stage with a set so delicate and devastating, people were openly weeping into their Strongbows. βBrooklynβ hit like a breakup text from your teenage crush. Absolutely lush.
- Jamie Lenman (Unplugged) proved yet again why heβs a national treasure. Acoustic? Yes. Mellow? Absolutely not. He delivered banter, bangers, and belly laughs, with stripped-back takes on βBody Poppingβ and βItβs Hard to Be a Gentleman.β Bloke had us sobbing one minute and snorting cider the next.
- Sophie Powers brought Gen Z energy and post-pop angst, rocking a set that flipped between soft vulnerability and chaotic glitch-pop rage. βNosebleedβ went off. Sheβs one to watch, butt.
π£ The Cave & Neu β Chaos in Canvas
Over at The Cave Stage, the mood was less βemotional release under the treesβ and more βsmash-your-face-against-a-speaker-and-hope-for-the-best.β
- URNE kicked off the carnage with a sludge-metal monster of a set. Basslines heavier than your auntβs Christmas pudding and riffs that rattled your ribcage. Absolute filth. π₯
- Graphic Natureβ¦ oh boy. They set the Cave on fire. Their blend of nu-metalcore and pure rage was exactly what this crowd came for. Their cover of Linkin Parkβs βOne Step Closerβ? Life-changing. Someone in the pit lost a shoe and didnβt care. That good.
- HERIOT closed out with atmospheric, thunderous brutality. Frontwoman Debbie Gough is a possessed banshee of beauty and destruction. βNear Visionβ and βCoalescenceβ melted minds and made believers of us all.
π» Festival Vibes Check β Campsite Edition
If Wednesday is the warm-up, Trees campers were already in mid-festival form. The fields were filled with:
- DIY flagpoles made of beer crates
- Blokes in full banana costumes playing kazoo versions of Enter Shikari
- People yelling βWHEREβS MY TENT?β while clearly inside their tent
- The classic 2am emo singalong sessions that can cure a broken heart or cause one
- And the ever-reliable chant of βONE MORE TUNE!β from someone who definitely peaked too early
Atmosphere rating? 10/10 feral.
π Food & Drink β Fuel for the Forest Folk
The food trucks were already rolling out the goods:
- π Loaded fries with more toppings than logic allows
- π± Vegan doners that made meat-eaters question their life choices
- π§ Mac & cheese bowls that could start religious movements
- π Pizza slices the size of a vinyl record
Drinks were flowing, pints around Β£6.50βΒ£7.50, ciders cold, and water refill stations actually functional. No long queues yet β the midweek miracle lives!
π§» Toilets: The Early Days of Hope
Letβs be honest, this is the best theyβll be all weekend.
β
Clean
β
Still stocked
β
Not yet a biohazard zone
Enjoy it while it lasts, mun.
π RIFF REPORT’S WEDNESDAY LEGENDS
π€ Best Set: Graphic Nature β absolute chaos merchants
πͺ© Most Unexpected Pit: During Jamie Lenmanβs βItβs Hard to Be a Gentlemanβ β someone two-stepped in a cardigan
π Best Festival Moment: Guy cooking sausages in a George Foreman plugged into a generator, mid-crowd
π Lost Item of the Day: Size 10 Converse, last seen airborne
πΊ Best Quote: βI came for the riffs, stayed for the vegan curry and tearsβ β overheard in the Forest Stage queue
π¬ The Bad Bits (Because Nothingβs Perfect)
- Wi-Fi/Signal = None. If you lost your mates, they now live in the woods. Accept it.
- Hard ground = broken pegs galore. Itβs like pitching tents on a brick.
- Bit of sound bleed between stages, but honestly, who cares when every set rips?
π The Final Word: Trees Is Alive, Baby
Wednesday 2025 was everything we wanted and more:
- Intimate? β
- Loud? β
- Emotional? Absolutely β
- Slightly unhinged already? Hell yes.
The pre-show magic is what makes Trees different. Itβs not just a festival β itβs a weird little forest cult built on riffs, beer, and friendship bracelets. By the time the main stage opens, weβre already half feral and full of feelings.
πΈ Got your own pics from Wednesday? Tag us @theriffreportuk and letβs see βem!
π§ Playlist drop incoming: βWednesday at Trees β The Emotional Support Riff Tapeβ
π§Ό Reminder: shower now or never.
Next up: THURSDAY β full main stage meltdown with Turnstile, Frank Carter, Holding Absence & more!
Stay loud. Stay weird. This forest belongs to the freaks now.
Cβmon then butt, letβs make some noise before the world wakes up. π²π₯πΈ
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialβfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heβs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heβs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heβs not writing or interviewing artists, youβll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicβtheyβre about community, friendship, and creating memories that last a lifetime. Thatβs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. π€
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