Right then, c’mon butt… let’s talk about the Steelhouse schedule, shall we?
We’re up a mountain, covered in denim, possibly damp, clutching a reusable pint cup, and ready to scream our lungs out. It’s Steelhouse Festival, mun — the high-altitude, high-volume highlight of the summer. But there’s one thing rock fans can’t agree on over their £7 pints and battered knees…
👉 Should every band get a 1 hour 30 minute set? Or should the headliner get a chunkier slab of stage time to properly blow the roof off the mountain?
It’s the sort of question that could divide a mosh pit quicker than someone shouting “play Wonderwall!”
🤘THE CASE FOR EQUAL SET TIMES
Let’s be honest — on paper, this looks tidy:
✅ FAIR PLAY FOR EVERY BAND
Giving every artist 90 minutes means no one is treated like a warm-up act. Whether you’re first on or closing the day, you get time to rip through your best riffs, chat a bit of nonsense, and maybe throw in that one unexpected deep cut that makes the crowd lose their minds. 🎶
✅ THE CROWD GETS VALUE FOR MONEY
You know that band you’ve been hyping up to your mates for years, but they’ve only ever done 45-minute support slots? Boom. At Steelhouse, they get 90 minutes to convert the entire field — or die trying. And we love a band that gives it some on the big stage, don’t we?
✅ IT KEEPS THE DAY MOVING
Nobody’s got time to wait around for an hour and a half of stage changeover while the headliner sets up their drum riser the size of a Ford Fiesta. The 90-minute rhythm means we keep moshing, headbanging, and singing ourselves hoarse without the energy dipping like a soggy chip in a festival tray.
🧐BUT LET’S BE HONEST — DON’T HEADLINERS DESERVE MORE?
Now hold your pints… because there’s another side to this coin, and it’s shaped like a Les Paul and covered in fireworks.
👑 HEADLINERS ARE THERE FOR A REASON
When you’ve got the mighty likes of Airbourne, Black Stone Cherry, or Those Damn Crows headlining, the fans want the full spectacle. We’re talking intros, lighting rigs, guitar duels, crowd call-and-responses, and maybe even a shirtless drum solo or two (standard).
90 minutes? That’s barely enough for a proper opening, never mind a triumphant encore and a big, teary thank-you to the fans.
🎶 SOME BANDS JUST HAVE TOO MANY HITS
Let’s say your headliner’s been around for 20+ years. You need longer than 90 minutes to do justice to the back catalogue. Otherwise, you’ll get a barrage of “Where was THAT song?!” as soon as the final chord rings out and the fireworks start. 🌠
🔥 BIG STAGE, BIG SHOW
Some headliners bring pyro, confetti cannons, backdrops the size of a castle wall, and lighting that can be seen from Newport. That all takes time. A headliner should be able to breathe, not sprint through their set like they’re on a festival episode of Countdown.
🏔️THE STEELHOUSE SET TIME SOLUTION?
Alright, here’s where The Riff Report throws down its sweaty denim gauntlet:
🥁 LET MOST BANDS HAVE THEIR 90 MINUTES…
…because it’s class. Seriously, it gives us fans proper shows from every artist — no one’s short-changed, no one feels like filler, and it makes the festival feel like a giant celebration rather than a glorified support tour.
🎤 …BUT GIVE THE HEADLINER A CHOICE
Let’s not be rigid about it. If your headliner’s up for it, give ’em an optional extra half-hour to pull out the big guns — the ballads, the epic closers, the speeches, the “see you next year” moments. Make that final slot a proper blowout. Let the last band each day own the mountain.
And if they don’t want it? No worries. Everyone still wins.
🎟️WHAT DO THE FANS THINK?
We’ve heard whispers from the campsite and pub benches:
“The 90-minute sets were lush, I didn’t feel like anyone was cut short. But I wouldn’t have said no to an extra half hour of The Answer on Sunday night!” – Leanne, Bridgend
“I was tamping when they ended after just an hour and a half — give the headliners two hours, mun!” – Gav, Aberdare
“C’mon butt, I was knackered by 9PM. Keep it 90 mins so I can still get back to my tent in one piece!” – Rhys, Swansea
🎸THE FINAL VERDICT FROM THE RIFF REPORT:
🎤 KEEP THE 90-MIN SETS FOR MOST – It’s fair, it’s fun, and it gives the crowd a feast of riffs.
🎆 BUT LET HEADLINERS STRETCH OUT – If they’ve got the stamina and the setlist, let them light up the mountain with an extended finale. You wouldn’t tell Bruce Springsteen to stop mid-encore, would you?
Let the rock gods decide. Just make sure there’s enough beer left in the cup and enough voice in your throat to scream, “ONE MORE SONG!” 🤘
💬So what do you think?
Drop your hot take in the comments or shout it across the merch tent. Should the headliners get more time? Or is 90 minutes the sweet spot of sweaty perfection?
#SteelhouseFestival #SetTimeRant #RiffReportDebates #90MinutesOfMayhem #CmonButtLetThemPlayMore #TidyRiffsOnTheMountain
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
Comments