Right then, Hawkins residents, synth nerds, horror geeks, ageing metalheads who secretly love neon aesthetics, and everyone still emotionally recovering from that Kate Bush sceneโฆ this oneโs for you. ๐
The legendary composers behind Stranger Things โ Kyle Dixon and Michael Stein โ are officially bringing the entire Stranger Things musical saga to Europe later this year with a huge live tour. ๐นโก
And honestly?
This sounds less like a gig and more like accidentally falling through a portal into the Upside Down after eating questionable festival food at 1am while hearing analogue synths echo through the fog.
Proper spooky behaviour, mun.
The duo โ who also perform together in the dark synth-prog outfit S U R V I V E โ have spent years crafting one of the most recognisable TV soundtracks of the modern era. Now theyโre taking that atmosphere, emotion, tension, and retro horror magic out of the television and onto the stage for fans to experience live.
And if the idea of hearing those iconic synth lines blasted through a massive sound system doesnโt immediately give you goosebumpsโฆ are you even human? ๐
๐ THE SOUNDTRACK THAT CHANGED EVERYTHING
Letโs be honest hereโฆ
The music in Stranger Things became just as iconic as the Demogorgon itself.
Before the show landed back in 2016, synth-heavy horror soundtracks were mostly living in niche corners of music fandom:
- cult horror films ๐ฅ
- underground electronic scenes ๐
- retro gaming communities ๐น
- and people who own far too many John Carpenter vinyl records
Then suddenly Stranger Things exploded onto Netflix and the entire world collectively went:
โHang onโฆ why does this terrifying synth music absolutely RULE?โ
The score became inseparable from the showโs identity.
Every moment:
- the bike rides through Hawkins ๐ฒ
- the emotional character scenes ๐ญ
- the monster attacks ๐พ
- the suspense-filled darkness ๐ซ
- the moments of wonder โจ
โฆall became amplified by Dixon and Steinโs incredible soundtrack work.
They somehow managed to create music that feels:
- nostalgic
- futuristic
- warm
- terrifying
- emotional
- lonely
- exciting
- and completely cinematic
All at the same time.
Thatโs not easy, butt.
Most people struggle choosing a decent Spotify playlist for a barbecue.
๐น WHO ARE KYLE DIXON AND MICHAEL STEIN?
For many casual fans, Dixon and Stein are the sound of Stranger Things.
But long before Hawkins became a global obsession, the pair were already crafting dark electronic music with S U R V I V E โ a band beloved by synthwave fans, soundtrack collectors, and anyone who enjoys music that sounds like driving through a neon-lit apocalypse at midnight.
Their work blends:
- analogue synthesisers ๐น
- progressive electronic textures ๐
- ambient horror atmosphere ๐ป
- minimalist tension โก
- and massive cinematic emotion
Basically imagine:
if prog rock, horror films, and vintage arcade machines all had a very moody child together.
Thatโs the vibe.
And when Netflix were searching for composers who could create something unique for Stranger Things, Dixon and Stein delivered a soundtrack that instantly felt timeless.
Not trendy.
Not disposable.
Not generic streaming filler.
Timeless.
๐ THE LIVE TOUR COULD BE AN ABSOLUTE SENSORY OVERLOAD
Now imagine all of that musicโฆ live.
LOUD.
With giant visuals.
Huge lighting rigs.
Atmospheric projections.
Walls of synthesisers.
Massive low-end bass vibrations.
And crowds full of people dressed like itโs 1985.
Cโmon now. ๐ฅ
This wonโt be a standard โband standing there playing tracksโ kind of concert.
This feels like itโs going to be an immersive cinematic experience.
Expect:
- retro visuals ๐ฅ
- eerie lighting โก
- cinematic transitions ๐
- haunting atmosphere ๐พ
- emotional climaxes ๐ญ
- and probably thousands of fans losing their minds the second those opening synth notes hit
You can already picture it:
The venue goes darkโฆ
Smoke fills the stageโฆ
A low synth pulse beginsโฆ
The crowd eruptsโฆ
Someone in the back screams โRUN!โ for absolutely no reasonโฆ
Beautiful scenes.
๐ฟ STRANGER THINGS 5 IS ALSO GETTING THE ULTIMATE VINYL TREATMENT
As if the tour announcement wasnโt already enough to financially destroy collectors this yearโฆ
Invada Records and Lakeshore Records are also releasing Stranger Things 5 โ Original Score From The Netflix Series as TWO deluxe double-vinyl editions on July 15. ๐ฟ๐ฅ
And these arenโt tiny little soundtrack samplers either.
Weโre talking:
๐ต NINETY-FIVE TRACKS
Yep.
95.
That includes:
- Season 5 Volume 1
- Season 5 Volume 2
- music from the finale itself
Meaning fans are getting the entire emotional destruction package pressed onto vinyl.
And because Hawkins doesnโt do subtleโฆ
The Invada Records editions come in:
- Metallic Bronze Vinyl ๐ค
- Metallic Silver Vinyl โช
Both housed in deluxe gatefold sleeves with printed inners and full-colour photography.
In other words:
these are the kinds of records you buy saying:
โIโm definitely gonna spin these loads.โ
Before immediately placing them in protective sleeves and guarding them like cursed treasure for eternity. ๐
๐พ STRANGER THINGS MADE SYNTHS COOL AGAIN
One of the funniest things about Stranger Things is how it completely dragged analogue synth music back into mainstream culture.
Suddenly:
- teenagers were buying synths ๐น
- synthwave playlists exploded online ๐
- horror aesthetics became trendy again ๐ป
- retro fonts returned everywhere ๐ฅ
- and everyone wanted their life to feel like an 80s movie montage
Even rock and metal fans got sucked into it.
And honestly?
It makes sense.
Because the soundtrack carries the same emotional punch that great rock records do.
Itโs atmosphere.
Itโs tension.
Itโs feeling.
The same reason people love:
- Pink Floyd
- Nine Inch Nails
- John Carpenter scores
- Goblin
- prog epics
- dark ambient records
- cinematic post-rock
โฆitโs all about creating a world around the listener.
And Dixon and Stein absolutely mastered that.
๐ค THIS ISNโT JUST FOR TV FANS
Even if youโre not obsessed with Stranger Things, this tour still sounds like one of the coolest live experiences heading to Europe this year.
If youโre into:
- synthwave
- electronic music
- progressive soundscapes
- horror scores
- cinematic live performances
- retro aesthetics
- dark atmosphere
- immersive concerts
โฆthis could be right up your alley.
Because underneath all the monsters and nostalgia, the Stranger Things soundtrack is genuinely brilliant music.
And hearing it live?
With thousands of fans surrounded by giant visuals and analogue synth chaos?
That could be absolutely magical.
Or terrifying.
Possibly both.
Which, to be fair, is very on-brand for Hawkins. ๐พ๐ฅ
Now excuse us while we go stare moodily out of a rainy Welsh window pretending weโre in a Netflix montage. ๐น๐ง๐ค
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialโfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heโs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heโs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heโs not writing or interviewing artists, youโll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicโtheyโre about community, friendship, and creating memories that last a lifetime. Thatโs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ค
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