🤦♂️ Strap in, rockers — because Live Nation’s head honcho Michael Rapino just dropped a bomb that’s rattled the pit harder than a dodgy sound system. Speaking at CNBC and Boardroom’s Game Plan conference, Rapino boldly claimed that concert tickets are actually “underpriced” compared to other forms of entertainment.
Yep. You read that right. Underpriced.
According to Rapino, there’s still room to charge more for tickets, even as the average fan is coughing up a kidney to afford a night out. This, at a time when energy bills, rent, and the cost of a cheeky post-gig kebab have already gone through the roof.
“Underpriced” Compared to What, Exactly?
Rapino didn’t hold back, comparing gigs to other entertainment options and saying the music industry could still squeeze more from fans. But here’s the thing — when was the last time you forked out:
- £9.50 for a pint at the bar 🍺
- £100+ for a single arena ticket 🎟️
- £300+ for a stadium floor spot ⚡
- And don’t forget the VIP packages — which sometimes get you little more than a tote bag and a lukewarm handshake
If that’s “underpriced,” then I’m Ozzy Osbourne’s bat 🦇.
Fans Already Fuming 😡
The timing couldn’t be worse. Fans have been raging for years about:
- Dynamic pricing that bumps up costs depending on “demand” (translation: when everyone actually wants to go).
- Platinum tickets that mysteriously cost three times as much as regular ones.
- Resale chaos, with scalpers charging eye-watering amounts while fans are left skint.
It’s not like fans have forgotten the ticketing disasters: Pearl Jam vs Ticketmaster in the ’90s, the Bruce Springsteen ticket fiasco, or the Taylor Swift Eras Tour meltdown that basically broke the internet.
Out of Touch Much?
Here in the UK, the average fan has to budget hard just to hit one or two big shows a year. And that’s before you factor in travel, food, drinks, and merch (seriously, £45 for a T-shirt?!). For Rapino to say tickets are too cheap feels like he’s never queued outside an O2 Priority sale while watching his bank balance cry.
The Riff Report Verdict 🎸
Fans aren’t buying it (literally). The idea that ticket prices should rise even higher is going down about as well as Nickelback at a Slayer gig.
The truth is, live music is already a luxury for many — and every price hike pushes more fans out of the venues and onto the livestreams. If Rapino’s vision comes true, the only people left in the front row will be hedge fund managers and lottery winners.
So here’s a thought: instead of squeezing fans, how about fixing scalping, killing dodgy fees, and actually rewarding loyalty? Because right now, it’s looking like the industry bigwigs are living in a different world to the fans who bleed for live music.
C’mon Live Nation, stop treating us like walking ATMs. We’re here for the riffs, not the rinse. 🤘
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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