There are some accusations in rock and metal that bands probably dread hearing.
Sell-outs.
Posers.
Corporate rock.
TikTok metal.
But being accused of secretly being an “industry plant” while playing medieval rodent-themed doom metal? 😂
Now THAT is elite-tier internet nonsense, mun.
Rising underground riff sorcerers Castle Rat are currently enjoying one of the wildest upward climbs in heavy music right now thanks to their theatrical live shows, fantasy-laced doom riffs, and glorious commitment to absolute chaos.
But according to parts of the internet…
they’re apparently part of some secret music industry masterplan. 🐀⚔️
Aye. Proper job.
🏰 CASTLE RAT’S DIY DOOM EMPIRE IS GROWING FAST
Speaking with Full Metal Jackie about the band’s latest release The Bestiary, “Rat Queen” Riley Pinkerton opened up about the insane response fans gave their recent Kickstarter campaign.
And when we say insane…
The band hit their funding goal in just 37 minutes. 😳🔥
Thirty.
Seven.
Minutes.
That’s faster than most festival beer queues.
For a band built around:
- medieval fantasy aesthetics ⚔️
- doom metal riffs 🐀
- theatrical storytelling 🔥
- cursed tavern energy 🍺
- and what looks like a Black Sabbath campaign run by dungeon goblins…
…that’s genuinely massive.
The success shows just how invested the underground metal community has become in Castle Rat’s weird and wonderful universe.
But naturally, because this is the internet, people immediately started throwing around the phrase:
“Industry plant.”
Because apparently nothing says “corporate music industry conspiracy” quite like plague-ridden fantasy doom metal. 😂
😂 “WHO WOULD PLANT A MEDIEVAL RODENT-THEMED DOOM BAND?”
Pinkerton admitted she doesn’t spend much time reading Reddit threads herself, but her bandmates kept reporting back with some absolutely unhinged comments from the online metal detectives.
And honestly?
She found the whole thing hilarious.
“They’re industry plants, which is hilarious and a compliment.”
That alone is brilliant.
But then came the knockout punch.
According to Riley, even other Reddit users started mocking the accusation:
“Who would plant a medieval rodent-themed doom metal band in the industry and be like, ‘You know what’s really gonna make us money? This rodent-themed medieval doom metal band.’”
And honestly…
she’s got a point. 🤣
Because if the music industry truly operated like some secret Illuminati-style machine, they’d probably be spending their money manufacturing viral TikTok stars instead of funding a band that looks like they rehearse inside a haunted castle sewer.
🐀 WHY METAL FANS ARE FALLING IN LOVE WITH CASTLE RAT
The truth is far less dramatic than internet conspiracy theories.
Castle Rat are succeeding because:
- they’ve built a unique identity
- they fully commit to the aesthetic
- the riffs absolutely slap
- and they actually feel DIFFERENT
That matters in modern heavy music.
Too many bands play it safe these days. Too polished. Too algorithm-friendly. Too afraid to lean into weirdness.
Castle Rat?
Nah mun.
These lot turned up dressed like medieval fantasy villains and somehow made doom metal feel excitingly ridiculous again.
And metalheads LOVE that kind of authenticity.
The band’s new album The Bestiary has only fuelled the hype further, delivering:
- crushing doom grooves
- theatrical world-building
- occult atmosphere
- fantasy horror vibes
- and enough fuzzy riff worship to summon ghosts from a 1973 Black Sabbath rehearsal room
It’s weird.
It’s dramatic.
It’s gloriously over-the-top.
Exactly how metal should be. 🤘🔥
⚔️ THE RIFF REPORT VERDICT
If your DIY doom metal band gets accused of being an “industry plant,” you’ve probably reached a pretty special level of underground success.
Because nobody accidentally builds a medieval rat-themed metal empire.
That kind of madness only comes from genuine passion, creativity, and a complete refusal to be boring.
Castle Rat are proof that metal still has room for bands willing to get weird, theatrical, and completely unhinged.
And honestly?
The scene needs more of it.
Long live the Rat Queen. 🐀👑🔥
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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