The catsuit-clad rock icon will give fans an early taste of his new material at a special hometown performance
Justin Hawkins is preparing to step away from The Darkness — temporarily, don’t panic — and take centre stage under his own name with the release of his debut solo album in 2027.
The flamboyant frontman, guitarist and owner of one of the most recognisable falsettos in British rock has revealed that work is underway on his first full-length solo record.
Better still, Hawkins won’t be keeping the new songs locked inside the studio until next year. He plans to perform some of the material during a special solo concert in Suffolk next month.
Yes, folks. The Hawkins solo era is officially preparing for lift-off. 🚀
🎤 New Songs to Receive Their Live Debut
Hawkins announced the news while promoting an upcoming performance at The Lodge in Corton, Suffolk, on Saturday 22 August 2026.
The show is expected to offer fans their first opportunity to hear material from the forthcoming record, making it much more than a standard evening of familiar favourites and brilliantly unpredictable stage banter.
It will be an early glimpse at what Justin Hawkins sounds like when operating entirely under his own name — without the established expectations surrounding The Darkness.
Although the album’s title, track listing and exact release date have yet to be announced, confirmation that new songs are already ready for the stage suggests the project is moving along nicely.
For those attending the Corton performance, it could become one of those glorious “I heard it before everybody else” moments.
Try not to mention it every five minutes afterwards.
Actually, forget that. Mention it constantly.
🤘 A Solo Album That Has Been a Long Time Coming
It might seem surprising that Hawkins has never released a full solo studio album before.
Since exploding into the mainstream with The Darkness’ gigantic 2003 debut, Permission to Land, he has become one of the most distinctive characters in modern British rock.
That album delivered massive tracks including “I Believe in a Thing Called Love,” “Growing on Me,” “Love Is Only a Feeling” and “Get Your Hands Off My Woman.”
The combination of enormous guitar riffs, theatrical vocals, catsuits, moustaches and unapologetic rock excess made The Darkness impossible to ignore.
More than two decades later, Hawkins remains a brilliantly entertaining performer capable of mixing serious musicianship with wonderfully daft rock ’n’ roll spectacle.
Away from The Darkness, he has also collaborated with other musicians, worked as a producer and built a sizeable following through his Justin Hawkins Rides Again online platform.
The video series and live shows have allowed Hawkins to discuss songwriting, vocal technique, the music business and the strange world of celebrity with his trademark mixture of wit and honesty.
His previous one-man performances blended music-industry insight, storytelling, audience interaction and live music rather than operating as traditional rock concerts.
A full solo album, however, represents something different.
This time, the spotlight will be firmly on a brand-new collection of songs.
🎶 What Will the Album Sound Like?
That’s the big question, butt.
The Darkness have always pulled from a wide range of influences, combining classic rock, glam, heavy metal, pop, prog and arena-sized power balladry.
Behind all the costumes and comedy, Hawkins has consistently demonstrated a sharp ear for melody and an impressive understanding of what makes a proper rock song work.
A solo album could therefore head in several directions.
It might contain towering guitar anthems, theatrical Queen-style arrangements and choruses built for festival fields.
Equally, it could offer something more personal and stripped back, allowing Hawkins to explore ideas that might not naturally fit beneath The Darkness banner.
There could be acoustic moments, piano-led ballads, experimental detours or songs packed with the sort of gloriously excessive guitar solos that make sensible people shake their heads while the rest of us turn the volume up.
The only safe prediction is that it probably won’t be boring.
Justin Hawkins doesn’t really do boring.
⚡ Does This Mean Trouble for The Darkness?
There is currently no reason to believe the solo album signals the end of The Darkness.
Artists regularly use solo projects to explore different sounds while continuing to work with their main bands. In Hawkins’ case, the record appears to be another creative outlet rather than a dramatic departure from the group that made him famous.
The Darkness remain a major part of his musical life, and Hawkins continues to perform as the band’s frontman, lead guitarist and chief provider of airborne stage poses.
A solo release simply provides him with an opportunity to create something carrying his name alone.
That creative freedom could result in one of the most fascinating rock albums of 2027.
🕺 From Lowestoft to Rock Royalty
Hawkins formed The Darkness in Lowestoft with his brother Dan Hawkins, bassist Frankie Poullain and drummer Ed Graham.
Their rise was spectacular.
At a time when British guitar music was largely dominated by indie bands attempting to look as miserable as possible, The Darkness arrived dressed like escaped glam-rock superheroes.
They were loud, colourful and completely unashamed of their love for classic rock.
Their debut album became a huge commercial success, while “I Believe in a Thing Called Love” turned into one of the defining British rock singles of the early 2000s.
The band’s popularity may have risen and fallen over the years, but their reputation as a formidable live act has remained intact.
Hawkins’ vocals, guitar playing and magnetic stage presence have always been central to that appeal.
Now, after years of fronting one of Britain’s most entertaining rock bands, he is finally preparing to show listeners what a complete Justin Hawkins solo record sounds like.
🔥 The Riff Report Verdict
A Justin Hawkins solo album feels both surprising and completely inevitable.
Surprising because, after more than two decades in the public eye, he has somehow never released one before.
Inevitable because Hawkins has always appeared to possess far too many musical ideas, opinions and creative impulses to keep everything contained within one band.
The chance to hear some of the material live in Suffolk on 22 August 2026 makes the announcement even more exciting.
Those attending won’t merely be watching another Justin Hawkins performance. They could be witnessing the first chapter of an entirely new era.
Will the album deliver enormous riffs, ridiculous vocal acrobatics and enough theatrical swagger to power the National Grid?
We certainly hope so.
One thing is already clear: 2027 just became considerably more fabulous.
Are you excited to hear Justin Hawkins’ debut solo album? Let us know what you’re hoping for from the record — huge rock anthems, emotional ballads or something completely unexpected.
Proudly Welsh. Proudly Loud. Zero Apologies. 🤘🏴
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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