In a bold statement that echoes across the independent music world, Epitaph Records has joined a growing movement of artists, labels, and fans calling on Spotify to take immediate action and remove U.S. Immigration and Customs Enforcement (ICE) recruitment ads from its platform.
The legendary punk and alternative label — home to acts like Bad Religion, The Offspring, and Bring Me the Horizon — has made it clear that this isn’t just a business issue, it’s an ethical one. Epitaph and others in the independent music community argue that streaming platforms have a responsibility to reflect the values of the cultures they profit from.
“Artists and fans deserve platforms that reflect the values of the culture they sustain,” Epitaph stated.
For many within the alternative and punk communities, the presence of ICE recruitment advertising feels deeply out of step with the inclusive, anti-authoritarian ethos that defines much of the music. Fans have voiced frustration that Spotify — a company already under fire for low artist payouts and controversial ad placements — would host recruitment messages for a government agency criticised for its human rights record and immigration policies.
The campaign calling for Spotify to drop the ads is gaining traction online, with artists, labels, and fans uniting under a shared belief: music platforms shouldn’t amplify organisations that stand against the principles of equality, compassion, and community that the independent music world holds dear.
As Epitaph’s statement concludes:
“We call on Spotify to remove these ads immediately.”
Whether Spotify responds remains to be seen — but one thing’s for sure: the indie scene isn’t staying silent. From DIY punks to chart-topping rockers, the message is loud and clear: music is about unity, not division.
🎶 The Riff Report will continue to follow this story as it develops — because when punk stands up, the world tends to listen.
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
