Sometimes a song becomes a hit because a record label throws a mountain of money at it.
Sometimes it gets hammered on radio until you know every bloody word whether you like it or not.
And sometimes… TikTok grabs a three-year-old Ghost B-side, sticks it over a load of Stranger Things footage and sends the thing absolutely stratospheric.
Welcome to the wonderfully unpredictable story of Ghost’s “Mary On A Cross.” 🤘👻🔥
Originally released in September 2019, the track spent several years largely living in the world of existing Ghost fans before suddenly becoming one of the biggest songs the Swedish rock outfit had ever produced.
The catalyst?
A slowed-down TikTok edit.
A bit of Stranger Things.
And an algorithm apparently deciding that the world desperately needed more Papa Emeritus.
Fair play, algorithm. Proper job. 😂
🎵 It Started as a 2019 B-Side
“Mary On A Cross” originally appeared alongside “Kiss the Go-Goat” on Ghost’s wonderfully titled Seven Inches of Satanic Panic release.
Released in 2019, it already had plenty of ingredients capable of worming their way into your brain.
Huge melody.
Retro psychedelic flavour.
Darkly playful lyrics.
Massive chorus.
And Tobias Forge doing what Tobias Forge does best — making something sinister sound ridiculously catchy.
But while Ghost were hardly some unknown underground band at the time, nobody could have predicted what would happen three years later.
Because in 2022, “Mary On A Cross” suddenly found itself dragged into an entirely different universe.
TikTok.
And things got silly very quickly.
📱 Stranger Things + TikTok + Ghost = Absolute Chaos
During the enormous cultural explosion surrounding Stranger Things Season 4 in 2022, TikTok became absolutely flooded with fan edits.
Eddie Munson edits.
Steve Harrington edits.
Joseph Quinn edits.
Heartbreaking montages.
Romantic montages.
Basically if someone appeared on screen for more than twelve seconds, somebody had probably made an emotional TikTok edit about them before teatime.
Then “Mary On A Cross” entered the picture.
A slowed-down, reverb-heavy version of the song was used to soundtrack a compilation of Stranger Things scenes, and the combination absolutely caught fire online. Metal Hammer later reported that the viral clip helped launch a wave that eventually saw hundreds of thousands of TikTok videos using either the original track or altered versions. (Louder)
Suddenly people who had never heard a Ghost album in their lives were wandering around singing:
Mary On A…
You know the rest. 😏
And before long, the song wasn’t merely doing well among rock fans.
It was properly crossing over.
📈 Ghost Suddenly Had a Billboard Hot 100 Hit
Here’s where the story becomes properly bonkers.
In September 2022, three years after its original release, “Mary On A Cross” entered the Billboard Hot 100 at No. 90.
That made it Ghost’s first-ever appearance on the Hot 100. During the tracking week leading into its chart debut, the song clocked around six million US streams, demonstrating just how enormous the TikTok-driven resurgence had become. (Consequence)
Think about that.
Ghost had spent years building a devoted international following, releasing albums, touring the world and becoming one of modern rock and metal’s most recognisable bands.
And their first Hot 100 single?
A three-year-old B-side suddenly resurrected by TikTok.
Rock ’n’ roll in the 2020s, mun. 😂
👻 Even Tobias Forge Didn’t See It Coming
Perhaps the funniest part of the story is that Ghost mastermind Tobias Forge apparently wasn’t sitting in some evil underground lair plotting a TikTok takeover.
His daughter noticed it first.
Forge later recalled that she told him she had heard “Mary On A Cross” on TikTok. Not long afterwards, Forge found himself in a meeting with the label where he was shown just how dramatically the numbers were moving. (Louder)
Imagine that meeting.
LABEL: “So… your three-year-old Satanic psychedelic rock B-side is exploding.”
TOBIAS: “Excellent.”
LABEL: “Because teenagers are making Stranger Things edits.”
TOBIAS: “…excellent?”
😂
Whatever the route, the result was undeniable.
A completely new audience had discovered Ghost.
🤘 The Ultimate Gateway Ghost Song
And this is where viral moments can genuinely become important for rock music.
Someone hears fifteen seconds of “Mary On A Cross” while scrolling TikTok.
Then they search for the full song.
Then Spotify suggests another Ghost track.
Then another.
Next thing you know they’re listening to “Square Hammer,” “Cirice,” “Dance Macabre,” “Rats” and “Call Me Little Sunshine.”
Six months later they’re wearing corpse paint and arguing about which Papa was best.
Welcome aboard. 😂👻
Forge himself has spoken about the viral hit becoming something of a gateway into Ghost’s wider world. (Louder)
And that’s arguably the coolest part of the entire story.
TikTok didn’t suddenly turn Ghost into a different band.
It simply opened another door into something they’d already spent years building.
😈 And Then Everyone Started Arguing About the Lyrics
Naturally, because this is Ghost, controversy wasn’t far behind.
Once millions of new listeners began discovering “Mary On A Cross”, people started debating exactly what the song meant.
Religious imagery?
Sexual imagery?
Blasphemy?
Double meanings?
All of the above?
Some social-media users accused the song of deliberately mocking Christianity, while others tried to dissect practically every line.
Forge, however, has explained that the meaning is considerably more layered than simply attacking religion.
He has suggested that “Mary” doesn’t necessarily refer directly to the Virgin Mary and has discussed the song in relation to friendship, perception and people being misjudged or misrepresented. (Louder)
Which is classic Ghost really.
Make something that sounds filthy and blasphemous.
Watch everybody argue.
Then reveal there’s another layer underneath the whole thing.
Absolute menace. 😂
🌍 TikTok Changed the Life of a Three-Year-Old Song
Whatever your feelings about TikTok, its impact on music has been enormous.
Songs no longer necessarily have one moment.
A track can flop.
Disappear.
Sit dormant for years.
Then suddenly somebody uses seventeen seconds of it behind the right video and BANG — millions of people are searching for it.
“Mary On A Cross” might be one of rock’s best examples.
By late 2025, its extraordinary second life had carried it to Platinum status in the UK, while its success had long since established it as one of Ghost’s biggest tracks. (Louder)
And all from a song released years before the viral moment arrived.
🎬 Stranger Things Did Something Similar for Rock Everywhere
There was something particularly brilliant about the musical legacy of Stranger Things Season 4.
Kate Bush’s “Running Up That Hill” famously enjoyed an enormous worldwide revival thanks to the show itself.
Metallica’s “Master of Puppets” found a completely new generation following Eddie Munson’s legendary Upside Down guitar scene.
And surrounding that explosion of fandom, social media edits helped older songs discover entirely new audiences.
Ghost happened to be perfectly positioned for it.
The spooky aesthetics.
The theatricality.
The dramatic melody.
The slightly forbidden feeling of the whole thing.
“Mary On A Cross” and Stranger Things edits were practically made for each other.
🔥 Three Years Late… And Right on Time
The strange journey of “Mary On A Cross” proves something we’ve always loved about music:
Songs don’t have expiry dates.
Sometimes the world simply hasn’t found them yet.
Ghost released the track in 2019.
TikTok found it in 2022.
Stranger Things fandom helped give it rocket fuel.
And suddenly one of modern rock’s most theatrical bands had their first Billboard Hot 100 hit.
No grand marketing masterplan.
No carefully timed comeback single.
Just a killer tune, an algorithm and thousands upon thousands of people pressing “use this sound.”
Beautiful chaos.
Exactly how rock ’n’ roll should be. 👻🤘🔥
Were you already a Ghost fan before “Mary On A Cross” exploded, or did TikTok drag you into the Clergy?
Let us know, butt.
Proudly Welsh. Proudly Loud. Zero Apologies. 🐉🤘
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
