📍 Main Stage | 21:00–22:45 | Saturday Headliner
“Worship. Transcend. Cry a little.”
⚰️ The Ritual Begins
The atmosphere was thick with anticipation. Not just “waiting for a headliner” vibes, but a near-spiritual tension, like something ancient was about to emerge from the mists. The crowd was silent — proper reverent, like a congregation awaiting a sermon. And then… boom. 💥
The first notes of “Chokehold” echoed across the fields like a funeral bell for your ex’s new relationship. Vessel, cloaked in mystery and bathed in shadow, stepped forward like a prophet mid-burnout, unleashing those tender, soul-ripping vocals while the band — the rest of the masked Sleep Token collective — swelled behind him with haunting precision.
It wasn’t just a gig. It was a ritual. 🕯️
🧎 Worship and Wreckage
By the time “The Summoning” hit — arguably the biggest “what the actual hell just happened?” moment of their catalogue — the crowd had fully surrendered. That filthy groove? The mid-track jazz-funk break? That apocalyptic drop near the end? Everyone around us just vibed like they’d left their bodies. If there was ever a song that could bring about a musical second coming, it’s this one. 🎷⚡
Tracks like “Hypnosis” and “Nazareth” cut deeper than a dagger in a breakup text. Every line hit harder in a live setting — the lights pulsed like a heartbeat, the air grew heavy, and Vessel didn’t just sing, he exorcised. And the crowd? Silent. Not in a bored way — in an absolutely transfixed, open-mouthed, soul-levitated way.
🎭 Theatrics Without the Cheese
Sleep Token aren’t your pyro-slinging, crowd-hyping showmen — they’re architects of feeling. No banter. No “how you doing, Apex?” Just music. Just moments. The stage was minimal but eerie as hell: flickering LED candles, shadowy cloaks, and lighting that moved like blood through veins.
During “Aqua Regia,” the stage turned into a smoky, jazz-lounge fever dream. Vessel crooned over piano as red light bathed the stage — seductive, strange, lush. Lush in the most Cymru way possible, butt. 💋
And “Atlantic”? OOF. That one broke people. We saw at least five grown metalheads openly weep into their pint cups. Diolch, Sleep Token — we needed that emotional cleanse. 😭🖤
🧨 Apex-Only Moments
Apex Festival got some special sauce this time. The premiere of a brand new track — name still unknown, but it had the crowd whispering “is this from Part V?” for hours afterwards. It was heavier than your mam’s Sunday roast and twice as comforting. Doom-laced, breakdown-heavy, but somehow still achingly beautiful.
Then came a remix segment — yes, you read that right — with “Take Me Back to Eden” blended into a glitchy, near-EDM ambient drop. It hit like Massive Attack being haunted by Meshuggah. 🤯
🔥 Setlist Highlights
Here’s a taste of what Vessel & co. brought to the altar:
- Chokehold – Open the gates of the soul
- The Summoning – Still THAT song
- Hypnosis – Mesmerising live
- Nazareth – Chillingly raw
- Atlantic – Emotion. Just… emotion.
- Granite – Trap beats and metal riffs? Yes please.
- Take Me Back To Eden – The end, the beginning, the transcendence
- Alkaline – That chorus still ruins lives
- New Untitled Song – Apex-exclusive emotional carnage
- Aqua Regia – Sexiest track played by a man in a mask
🕯️ The Crowd: Cloaked in Devotion
This wasn’t your usual festival crowd bouncing for bangers. This was a pilgrimage. Fans came cloaked, robed, glittered, masked — like a cult gathered for a lunar sacrifice. And fair play, the atmosphere was magical. No crowd surfers, no moshing — just arms raised in unison, as if they could touch whatever divine plane Sleep Token operates from. ✨
Some bloke next to me whispered “I feel like I’ve been reborn” after “Alkaline.” Another girl burst into sobs after “Atlantic.” And some absolute legend shouted, “Worship this, you daft lot!” right before “The Night Does Not Belong to God.” 😂
🌌 Ending on a Whisper, Not a Bang
Rather than an explosive encore, they closed with “Blood Sport.” Vessel’s voice cracked in all the right places. The lights dimmed to near-dark. Just a piano. Just a whisper. And then… nothing. No “thank you,” no bow. They vanished. Like a fever dream. Like they were never there.
And honestly? That silence? It was deafening. It meant something. You could hear people breathing. And sobbing. And just… staring. 🌒
🤘 Final Thoughts
Sleep Token didn’t just headline Apex — they anointed it. A masterclass in musical mystique, emotional devastation, and genre-defying wizardry. They may not speak, but they say more with silence and song than most bands say in a lifetime of tour speeches.
You don’t just attend a Sleep Token set.
You survive it.
You’re changed by it.
You worship it.
💀 VERDICT:
🔥 10/10 – The Cult Is Growing. Get Your Mask Ready.
Tidy AF, Sleep Token. Tidy AF. 🖤🎭
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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