Artist: Hulder
Album: Verbolgen
Genre: Black Metal / Medieval Black Metal
Release: 7 August 2026
Label: 20 Buck Spin
Tracks: 9
๐ธ๐ธ๐ธ๐ธ๐ธ 5/5 Guitars
There are records that sound like they were made in expensive studios surrounded by blinking equipment and people discussing compression.
Then thereโs Verbolgen.
This sounds like it was summoned beneath a full moon somewhere deep in a forest where your phone stopped getting signal about three miles ago.
There are torches burning.
Something is moving between the trees.
And whatever you doโฆ
Donโt investigate the noise. ๐ฒ๐
Hulderโs third full-length album is a gloriously immersive journey into black metalโs oldest and darkest instincts.
Tremolo-picked guitars?
Obviously.
Blast beats?
Naturally.
Shrieking vocals capable of terrifying livestock?
Absolutely.
But Verbolgen reaches considerably further.
Acoustic guitars, synths, flutes, field recordings and medieval textures creep through the darkness, transforming these nine tracks into something that feels less like a straightforward black-metal album and more like entering another world.
Cold.
Ancient.
Melancholic.
Violent.
Beautiful.
Right then.
Light the torches.
Weโre going in. ๐ฅโ๏ธ
๐ฟ
Track Listing
- Drie Raven (Intro)
- The Crowning
- Thy Binding Oath
- Verbolgen
- โฆ And We Shall Sing
- In Blood And In Earth
- Den Nacht Zijn Lied
- View From Nemeton
- The Glow Of Dawn
โ๏ธ
Track-by-Track Review
1. Drie Raven (Intro)
Something is coming.
Thatโs immediately obvious.
Drie Raven doesnโt need distorted guitars or blast beats to create tension.
Atmospheric sounds establish the landscape while percussion echoes ominously underneath.
It feels ceremonial.
Ancient.
Slightly threatening.
Basically, if someone wearing a cloak suddenly appeared holding a flaming torch, weโd be entirely unsurprised.
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2. The Crowning
๐ฅ THERE IT IS.
The tranquillity disappears and Hulder erupts.
The Crowning is vicious traditional black metal delivered with absolute conviction.
Tremolo guitars slice through the mix.
Drums hammer forward.
Hulderโs vocals sound positively demonic.
Yet underneath the violence sits something unexpectedly grand.
Flute and melodic textures give the track an almost regal quality.
A coronation ceremony from hell.
Lovely.
๐ธ๐ธ๐ธ๐ธ๐ธ
3. Thy Binding Oath
Rather than simply attempting to go faster, Thy Binding Oath becomes heavier through patience.
Thereโs an almost processional rhythm running underneath the song.
Step.
Step.
Step.
Deeper into the woods we go.
The guitars create an enormous wall of atmosphere while the drums keep everything moving with deliberate menace.
Sometimes the slow march is considerably more frightening than the sprint.
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4. Verbolgen
The title track feels absolutely freezing.
You can practically hear wind cutting through trees.
Hulder balances raw black-metal aggression with haunting melody beautifully.
The riffs are vicious without becoming indistinguishable.
The atmosphere is enormous without overwhelming the songwriting.
And those vocals?
Someone needs an exorcist.
Preferably one who understands blast beats.
๐ธ๐ธ๐ธ๐ธ๐ธ
5. โฆ And We Shall Sing
Thereโs something strangely triumphant about this one.
Not happy.
Letโs not get carried away.
This is still Hulder.
Nobody is suddenly producing balloons and party hats.
But โฆ And We Shall Sing carries a sense of defiance underneath the darkness.
Repetition becomes hypnotic.
Melodies gradually reveal themselves.
And before long, the whole thing has completely swallowed you.
๐ธ๐ธ๐ธ๐ธ๐ธ
6. In Blood And In Earth
๐ฉธ๐ฒ Absolute monster.
At around seven minutes, In Blood And In Earth gives Hulder room to properly stretch out.
Acoustic guitars.
Flute.
Atmospheric passages.
Thenโฆ
RIFFS.
Huge ones.
The transition between ancient folk textures and crushing black metal feels completely natural.
Thatโs important.
The medieval elements arenโt novelty decorations.
Theyโre embedded into the songโs DNA.
By the time everything reaches full force, youโre completely inside this strange world Hulder has created.
One of the albumโs finest moments.
๐ธ๐ธ๐ธ๐ธ๐ธ
7. Den Nacht Zijn Lied
Right.
Enough wandering peacefully through the woods.
Time for violence.
Den Nacht Zijn Lied is absolutely ferocious.
The drums become increasingly aggressive while the guitars attack from every direction.
Then come flashes of lead guitar that almost stray into death-metal territory.
Itโs furious.
Technical.
Melodic.
And gloriously nasty.
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8. View From Nemeton
One of Verbolgenโs biggest surprises.
The opening carries a heavy, almost death-march quality.
Then something happens.
Groove.
Yes.
Actual groove.
On a Hulder album.
And it works brilliantly.
Just as youโre settling into that rhythm, the guitars begin duelling and everything shifts again.
This is exactly the sort of songwriting evolution that keeps traditional black metal interesting.
You know the ingredients.
You donโt necessarily know where theyโre going.
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9. The Glow Of Dawn
๐ After all that darknessโฆ
Light.
Sort of.
Weโre not suddenly skipping through a meadow while Disney birds land on Hulderโs shoulders.
Calm down.
But The Glow Of Dawn carries genuine melancholy.
Synths glow underneath the guitars while the entire track feels strangely reflective.
After an album filled with darkness, ritual and violence, thereโs something unexpectedly human here.
Vulnerability.
Loneliness.
Perhaps even hope.
The sun hasnโt fully risen.
But somewhere beyond those trees, you can see it.
A stunning ending.
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๐ฅ
The Breakdown
๐ค
Vocals โ ๐ธ๐ธ๐ธ๐ธ๐ธ
Absolutely vicious.
Hulderโs rasp remains commanding throughout without becoming monotonous.
Thereโs genuine personality behind the aggression.
๐ธ
Guitars โ ๐ธ๐ธ๐ธ๐ธ๐ธ
Tremolo riffs dominate, naturally, but thereโs impressive variety underneath.
Acoustic passages.
Melodic leads.
Grooves.
Atmospheric textures.
And some unexpectedly tasty guitar heroics.
๐ฅ
Drums โ ๐ธ๐ธ๐ธ๐ธ๐ธ
Ferocious when required but intelligently restrained elsewhere.
The slower sections prove every bit as powerful as the blast beats.
๐ฐ
Atmosphere โ ๐ธ๐ธ๐ธ๐ธ๐ธ
Ridiculous.
Put headphones on and youโll practically start checking behind you for medieval spirits.
โ๏ธ
Songwriting โ ๐ธ๐ธ๐ธ๐ธ๐ธ
This is Verbolgenโs greatest strength.
Traditional black metal can easily become repetitive.
These nine tracks never do.
๐
Standout Tracks
๐ The Crowning
๐ฉธ In Blood And In Earth
๐ Den Nacht Zijn Lied
๐ฒ View From Nemeton
๐ The Glow Of Dawn
๐ฐ
Medieval Darkness Done Properly
Hereโs where Hulder gets things absolutely right.
Adding medieval instruments to metal isnโt automatically interesting.
Anyone can stick a flute over some tremolo picking and announce theyโve invented YE OLDE BLACK METAL.
Thatโs not whatโs happening here.
The medieval elements within Verbolgen feel fundamental to the music.
They create atmosphere.
They provide contrast.
They connect the albumโs black-metal aggression with something older and stranger.
And crucially, Hulder never overuses them.
When the record needs to become pure, vicious black metal?
It does.
When it needs space?
It takes it.
That restraint makes the unusual instrumentation considerably more effective.
๐ค
The Riff Report Verdict
Verbolgen demonstrates exactly why traditional black metal still has enormous creative potential.
Hulder isnโt desperately trying to reinvent the genre.
Sheโs doing something smarter.
Sheโs exploring the atmosphere already hiding inside it.
The forests.
The folklore.
The darkness.
The melancholy.
The ancient imagery.
These things have always existed within black metal.
Verbolgen simply digs deeper.
And beneath all the aesthetic darkness sits something surprisingly emotional.
Thatโs what really separates the album from countless records attempting similar territory.
Thereโs fury.
Obviously.
But thereโs also loneliness.
Reflection.
Defiance.
Even glimpses of hope.
That emotional range gives Verbolgen genuine depth.
Nine tracks feel like one journey.
You enter through Drie Raven.
You descend deeper through The Crowning, Thy Binding Oath and the title track.
You reach the albumโs enormous heart with In Blood And In Earth.
Then eventually, after all that darknessโฆ
The Glow Of Dawn appears.
Not daylight exactly.
But enough to find your way home.
Assuming whatever was following you through the woods hasnโt caught up.
Best walk faster, butt. ๐๐ฒ
THE RIFF REPORT RATING
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5/5 GUITARS
Ancient. Vicious. Atmospheric. Beautifully bleak.
Hulderโs Verbolgen takes traditional black metal deep into the forest and returns carrying something genuinely haunting.
Nine tracks. No filler. Plenty of darkness.
Light the torches and turn it up. ๐ฒ๐ฅโ๏ธ๐ค
:::
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialโfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heโs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heโs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heโs not writing or interviewing artists, youโll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicโtheyโre about community, friendship, and creating memories that last a lifetime. Thatโs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. ๐ค
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