Artist: Hulder
Album: Verbolgen
Genre: Black Metal / Medieval Black Metal
Release: 7 August 2026
Label: 20 Buck Spin
Tracks: 9

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ 5/5 Guitars

There are records that sound like they were made in expensive studios surrounded by blinking equipment and people discussing compression.

Then thereโ€™s Verbolgen.

This sounds like it was summoned beneath a full moon somewhere deep in a forest where your phone stopped getting signal about three miles ago.

There are torches burning.

Something is moving between the trees.

And whatever you doโ€ฆ

Donโ€™t investigate the noise. ๐ŸŒฒ๐Ÿ˜‚

Hulderโ€™s third full-length album is a gloriously immersive journey into black metalโ€™s oldest and darkest instincts.

Tremolo-picked guitars?

Obviously.

Blast beats?

Naturally.

Shrieking vocals capable of terrifying livestock?

Absolutely.

But Verbolgen reaches considerably further.

Acoustic guitars, synths, flutes, field recordings and medieval textures creep through the darkness, transforming these nine tracks into something that feels less like a straightforward black-metal album and more like entering another world.

Cold.

Ancient.

Melancholic.

Violent.

Beautiful.

Right then.

Light the torches.

Weโ€™re going in. ๐Ÿ”ฅโš”๏ธ

๐Ÿ’ฟ

Track Listing

  1. Drie Raven (Intro)
  2. The Crowning
  3. Thy Binding Oath
  4. Verbolgen
  5. โ€ฆ And We Shall Sing
  6. In Blood And In Earth
  7. Den Nacht Zijn Lied
  8. View From Nemeton
  9. The Glow Of Dawn

โš”๏ธ

Track-by-Track Review

1. Drie Raven (Intro)

Something is coming.

Thatโ€™s immediately obvious.

Drie Raven doesnโ€™t need distorted guitars or blast beats to create tension.

Atmospheric sounds establish the landscape while percussion echoes ominously underneath.

It feels ceremonial.

Ancient.

Slightly threatening.

Basically, if someone wearing a cloak suddenly appeared holding a flaming torch, weโ€™d be entirely unsurprised.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

2. The Crowning

๐Ÿ”ฅ THERE IT IS.

The tranquillity disappears and Hulder erupts.

The Crowning is vicious traditional black metal delivered with absolute conviction.

Tremolo guitars slice through the mix.

Drums hammer forward.

Hulderโ€™s vocals sound positively demonic.

Yet underneath the violence sits something unexpectedly grand.

Flute and melodic textures give the track an almost regal quality.

A coronation ceremony from hell.

Lovely.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

3. Thy Binding Oath

Rather than simply attempting to go faster, Thy Binding Oath becomes heavier through patience.

Thereโ€™s an almost processional rhythm running underneath the song.

Step.

Step.

Step.

Deeper into the woods we go.

The guitars create an enormous wall of atmosphere while the drums keep everything moving with deliberate menace.

Sometimes the slow march is considerably more frightening than the sprint.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

4. Verbolgen

The title track feels absolutely freezing.

You can practically hear wind cutting through trees.

Hulder balances raw black-metal aggression with haunting melody beautifully.

The riffs are vicious without becoming indistinguishable.

The atmosphere is enormous without overwhelming the songwriting.

And those vocals?

Someone needs an exorcist.

Preferably one who understands blast beats.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

5. โ€ฆ And We Shall Sing

Thereโ€™s something strangely triumphant about this one.

Not happy.

Letโ€™s not get carried away.

This is still Hulder.

Nobody is suddenly producing balloons and party hats.

But โ€ฆ And We Shall Sing carries a sense of defiance underneath the darkness.

Repetition becomes hypnotic.

Melodies gradually reveal themselves.

And before long, the whole thing has completely swallowed you.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

6. In Blood And In Earth

๐Ÿฉธ๐ŸŒฒ Absolute monster.

At around seven minutes, In Blood And In Earth gives Hulder room to properly stretch out.

Acoustic guitars.

Flute.

Atmospheric passages.

Thenโ€ฆ

RIFFS.

Huge ones.

The transition between ancient folk textures and crushing black metal feels completely natural.

Thatโ€™s important.

The medieval elements arenโ€™t novelty decorations.

Theyโ€™re embedded into the songโ€™s DNA.

By the time everything reaches full force, youโ€™re completely inside this strange world Hulder has created.

One of the albumโ€™s finest moments.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

7. Den Nacht Zijn Lied

Right.

Enough wandering peacefully through the woods.

Time for violence.

Den Nacht Zijn Lied is absolutely ferocious.

The drums become increasingly aggressive while the guitars attack from every direction.

Then come flashes of lead guitar that almost stray into death-metal territory.

Itโ€™s furious.

Technical.

Melodic.

And gloriously nasty.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

8. View From Nemeton

One of Verbolgenโ€™s biggest surprises.

The opening carries a heavy, almost death-march quality.

Then something happens.

Groove.

Yes.

Actual groove.

On a Hulder album.

And it works brilliantly.

Just as youโ€™re settling into that rhythm, the guitars begin duelling and everything shifts again.

This is exactly the sort of songwriting evolution that keeps traditional black metal interesting.

You know the ingredients.

You donโ€™t necessarily know where theyโ€™re going.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

9. The Glow Of Dawn

๐ŸŒ… After all that darknessโ€ฆ

Light.

Sort of.

Weโ€™re not suddenly skipping through a meadow while Disney birds land on Hulderโ€™s shoulders.

Calm down.

But The Glow Of Dawn carries genuine melancholy.

Synths glow underneath the guitars while the entire track feels strangely reflective.

After an album filled with darkness, ritual and violence, thereโ€™s something unexpectedly human here.

Vulnerability.

Loneliness.

Perhaps even hope.

The sun hasnโ€™t fully risen.

But somewhere beyond those trees, you can see it.

A stunning ending.

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

๐Ÿ”ฅ

The Breakdown

๐ŸŽค

Vocals โ€” ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

Absolutely vicious.

Hulderโ€™s rasp remains commanding throughout without becoming monotonous.

Thereโ€™s genuine personality behind the aggression.

๐ŸŽธ

Guitars โ€” ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

Tremolo riffs dominate, naturally, but thereโ€™s impressive variety underneath.

Acoustic passages.

Melodic leads.

Grooves.

Atmospheric textures.

And some unexpectedly tasty guitar heroics.

๐Ÿฅ

Drums โ€” ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

Ferocious when required but intelligently restrained elsewhere.

The slower sections prove every bit as powerful as the blast beats.

๐Ÿฐ

Atmosphere โ€” ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

Ridiculous.

Put headphones on and youโ€™ll practically start checking behind you for medieval spirits.

โœ๏ธ

Songwriting โ€” ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

This is Verbolgenโ€™s greatest strength.

Traditional black metal can easily become repetitive.

These nine tracks never do.

๐Ÿ†

Standout Tracks

๐Ÿ‘‘ The Crowning

๐Ÿฉธ In Blood And In Earth

๐ŸŒ™ Den Nacht Zijn Lied

๐ŸŒฒ View From Nemeton

๐ŸŒ… The Glow Of Dawn

๐Ÿฐ

Medieval Darkness Done Properly

Hereโ€™s where Hulder gets things absolutely right.

Adding medieval instruments to metal isnโ€™t automatically interesting.

Anyone can stick a flute over some tremolo picking and announce theyโ€™ve invented YE OLDE BLACK METAL.

Thatโ€™s not whatโ€™s happening here.

The medieval elements within Verbolgen feel fundamental to the music.

They create atmosphere.

They provide contrast.

They connect the albumโ€™s black-metal aggression with something older and stranger.

And crucially, Hulder never overuses them.

When the record needs to become pure, vicious black metal?

It does.

When it needs space?

It takes it.

That restraint makes the unusual instrumentation considerably more effective.

๐Ÿค˜

The Riff Report Verdict

Verbolgen demonstrates exactly why traditional black metal still has enormous creative potential.

Hulder isnโ€™t desperately trying to reinvent the genre.

Sheโ€™s doing something smarter.

Sheโ€™s exploring the atmosphere already hiding inside it.

The forests.

The folklore.

The darkness.

The melancholy.

The ancient imagery.

These things have always existed within black metal.

Verbolgen simply digs deeper.

And beneath all the aesthetic darkness sits something surprisingly emotional.

Thatโ€™s what really separates the album from countless records attempting similar territory.

Thereโ€™s fury.

Obviously.

But thereโ€™s also loneliness.

Reflection.

Defiance.

Even glimpses of hope.

That emotional range gives Verbolgen genuine depth.

Nine tracks feel like one journey.

You enter through Drie Raven.

You descend deeper through The Crowning, Thy Binding Oath and the title track.

You reach the albumโ€™s enormous heart with In Blood And In Earth.

Then eventually, after all that darknessโ€ฆ

The Glow Of Dawn appears.

Not daylight exactly.

But enough to find your way home.

Assuming whatever was following you through the woods hasnโ€™t caught up.

Best walk faster, butt. ๐Ÿ˜‚๐ŸŒฒ

THE RIFF REPORT RATING

๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ๐ŸŽธ

5/5 GUITARS

Ancient. Vicious. Atmospheric. Beautifully bleak.

Hulderโ€™s Verbolgen takes traditional black metal deep into the forest and returns carrying something genuinely haunting.

Nine tracks. No filler. Plenty of darkness.

Light the torches and turn it up. ๐ŸŒฒ๐Ÿ”ฅโš”๏ธ๐Ÿค˜
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