– Female Icons & Brutal Growlers Edition –
By The Riff Report Blog
1. Angela Gossow – “Ravenous” (Arch Enemy)
⚡ Album: Wages of Sin (2001)
💀 Vibe: Viking shieldmaiden leading a death march
Angela didn’t just break barriers — she obliterated them. With vocals that sound like Satan gargling gravel, her debut with Arch Enemy flipped the script on what female vocalists could do in extreme metal. “Ravenous” is pure death metal chaos, and Angela rides it like a dragon in corpse paint.
Standout moment: That opening scream. Just… UNHOLY.
2. Floor Jansen – “Ghost Love Score” (Nightwish – Wacken 2013 live version)
⚡ Album: Endless Forms Most Beautiful tour era
💀 Vibe: Valkyrie opera on top of Mount Doom
Floor’s live rendition of this symphonic metal epic is one of the most perfect live vocal performances in metal history. Period. Operatic highs, chest-rattling lows, and a middle section that makes the gods cry. Her control? Witchcraft.
Standout moment: When she hits that sustained note at 9:27 and the crowd loses their damn minds.
3. Randy Blythe – “Redneck” (Lamb of God)
⚡ Album: Sacrament (2006)
💀 Vibe: Southern-fried apocalypse
Randy’s performance on “Redneck” is all venom and vitriol. He sounds like he’s been raised by wolves and fed nothing but moonshine and barbed wire. His rhythmic phrasing, guttural delivery, and sheer rage make this an all-timer for groove metal mayhem.
Standout moment: “This is a motherf***in’ invitation!” – delivered like a punch to the soul.
4. Tatiana Shmayluk – “Pisces” (Jinjer)
⚡ Album: King of Everything (2016)
💀 Vibe: Siren switches to demon mid-sentence
The moment that launched a thousand “WAIT, SHE DID BOTH VOICES?!” reactions. Tatiana’s clean vocals are delicate and haunting, but when that growl hits… sweet baby Lemmy, it’s like the floor collapses. “Pisces” is proof she’s one of the most versatile voices in metal today.
Standout moment: That first switch from clean to growl. Literal jaws drop. 🐟➡️💀
5. Trevor Strnad – “Deathmask Divine” (The Black Dahlia Murder)
⚡ Album: Nocturnal (2007)
💀 Vibe: Shakespearean serial killer shriekfest
Trevor (RIP, legend) had one of the most distinctive high shrieks in deathcore. “Deathmask Divine” blends storytelling, technical prowess, and some of the nastiest vocals you’ll ever hear. A true master of melodic mayhem.
Standout moment: His phrasing on “the face is haunting me!” is eerie AF.
6. Alissa White-Gluz – “The World Is Yours” (Arch Enemy)
⚡ Album: Will to Power (2017)
💀 Vibe: Growling motivational speaker summoning thunder
Alissa stepped into Gossow’s boots and made ‘em her own. Her ferocity, vocal control, and blue-haired stage presence is unmatched. “The World Is Yours” is a war cry for the metal masses — and she belts it like a warrior queen of Valhalla.
Standout moment: The “rise!” screams? That’s a stadium chant for the underdogs.
7. Travis Ryan – “The Prophets of Loss” (Cattle Decapitation)
⚡ Album: The Anthropocene Extinction (2015)
💀 Vibe: Alien overlord narrating the end of the world
Growls, pig squeals, and clean vocals that sound like an orc discovering melody — Travis Ryan does it all. “The Prophets of Loss” shows his full range, and it’s jaw-dropping. How is he human?
Standout moment: Those weirdly angelic cleans. Terrifying and beautiful.
8. Lzzy Hale – “I Am the Fire” (Halestorm)
⚡ Album: Into the Wild Life (2015)
💀 Vibe: Joan Jett meets dragon queen
Lzzy can do sultry, soulful, AND skull-shattering — and “I Am the Fire” is her vocal anthem. It starts smouldering and ends in a blaze of power notes so huge they could toast marshmallows from space.
Standout moment: That final chorus? Full chest. No auto-tune. Just raw rock goddess energy. 🔥
9. Joe Duplantier – “Silvera” (Gojira)
⚡ Album: Magma (2016)
💀 Vibe: French philosopher turned sonic battering ram
Joe’s growls are existential. They carry weight. On “Silvera,” he proves that brutality can have soul — and lyrics that sound like they came from a poetry slam in Mordor. It’s crushing, catchy, and cosmic.
Standout moment: “We are the low…the low… the low.” Repetitive? Yes. Effective? HELL YES.
10. Brody Dalle – “Drain the Blood” (The Distillers)
⚡ Album: Coral Fang (2003)
💀 Vibe: Punk witch screaming curses under a blood moon
Okay, so technically more punk than metal — BUT Brody’s vocals on “Drain the Blood” are raw, gravelly fury, and influenced a whole wave of alt-metal and scream queens. Her scratchy, spitting delivery is the stuff of nightmares and nightclub fights.
Standout moment: The chorus hits like a barbed wire kiss. 💋
🖤 Bonus Shoutouts:
- Morgana Lefay – “To Isengard” (for fantasy growl excellence)
- Melissa Bonny (Ad Infinitum / Dark Side of the Moon) – legit death growl AND operatic queen
- Simone Simons (Epica) – if Mozart had a metal phase
- Kyo (Dir En Grey) – madness, whispers, banshee screeches – and that’s in one verse
🤘 That’s a Wrap, You Legends
Metal isn’t just about testosterone-fuelled roars — it’s about power, passion, and pushing your vocal cords to the edge of oblivion. These gods and goddesses of growl and grandeur show that metal belongs to everyone — and that sometimes, the heaviest vocals come in lipstick and corpse paint 🎤💋
YESS MUN! Who’s next? Want a Black Metal Screech Edition? Or a Live Vocals That Ruined the Venue’s PA System post? Let’s riff ‘til we rupture our lungs 🤘🔥
Want a playlist of these bangers that’ll scare the neighbours and summon a thunderstorm over Merthyr? Just give me a shout! 🎧🏴
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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