âSwansea is the graveyard of ambition.â â and also, apparently, the best bloody place to blow up a Portaloo full of drugs.
WHATâS OCCURRING, YOU BEAUTIFUL BASTARDS?
Right then, câmon butt⊠letâs get one thing straight â Twin Town isnât just a film. Itâs a full-throttle fever dream soaked in piss, petrol, and Super Furry Animals. Released in 1997, directed by Kevin Allen (who clearly inhaled a few too many paint fumes in his youth), this chaotic cult classic is part love letter, part headbutt to Swansea â and we at The Riff Report absolutely f***ing love it.
If Trainspotting is Edinburghâs heroin-laced poetry, Twin Town is Swanseaâs cider-fuelled punch-up behind Kwik Save. đ„ŽđŸ
THE PLOT (SORT OFâŠ): đ
So hereâs the skinny: Twin brothers Jeremy and Julian Lewis (played by real-life mischief-makers Rhys and Llyr Ifans) are two drug-hoovering, car-thieving, karaoke-wrecking tearaways. When their dad â the legendary Fatty Lewis â takes a chainsaw to the leg while trimming trees for a local crooked businessman, the twins decide theyâre owed compensation.
But when Bryn Cartwright (owner of half of Swansea, and 100% knobhead) refuses to pay up, the Lewis lads unleash absolute carnage. Weâre talking:
Portaloos going boom đ„ Drug dealers in drag đŹđ Dodgy coppers with karaoke habits đ€ And a goat. Obviously. đ
THE CAST: đ„
Every single character in this film feels like someone youâd meet down Wind Street on a Friday night after seven WKD Blues.
đ Jeremy Lewis â Rhys Ifans with the hair of a mad poet and the attitude of a pissed-off badger. Charismatic, chaotic, probably hasnât washed in weeks.
đ Julian Lewis â Llyr Ifans is the quieter, broodier twin⊠which somehow makes him scarier. Like heâs thinking about shoving your kebab somewhere it shouldnât go.
đȘ Fatty Lewis â Their dad. Wields a chainsaw and belts out âDelilahâ like a demon. An icon. A Swansea saint. A man who bleeds gravy.
đ§ Bryn Cartwright â The filmâs posh(ish) villain. Thinks heâs class because he owns a golf club, but still eats Greggs in his car. Get in the bin, Bryn.
THE QUOTES: đŹ
This film is more quotable than a rugby club on a stag do in Llanelli.
âYou think Swanseaâs a pretty shole, donât you?â
âI think itâs a very pretty shole.â
âWeâre not in f*ing Neath, mate.â
âThis is not a fairy tale⊠this is a story about real people, real lives, real drama⊠and real BASTARDS.â
Lines like that donât just hit â they slap you round the face with a wet Leek and nick your car stereo. đ„
THE SOUNDTRACK: đ¶
Absolute TIDY.
Oasis, The Who, Super Furry Animals, Mannish Boy, Steppenwolf â itâs like someone took a rock ânâ roll mixtape, spilled amphetamines on it, and hit play. đž
One moment youâre vibing to Born to be Wild, next thing youâre watching the lads glueing someone to a toilet while yelling âGET ON WITH IT!â
Honestly, the soundtrack deserves its own BAFTA. If this film were a pub jukebox, youâd never leave.
THE VIBES: đ§ïž
This ainât no tourist board promo for Swansea. Thereâs no Gower sunsets and surfers here, mun. Just rain, wreckage, and rampant drug use. But thatâs why we love it.
You get greasy chip shops, rusting playgrounds, toilet-hued housing estates, and an entire film that smells faintly of Embassy No. 1 and regret. The cityâs never looked so⊠lush. đ
Only in Wales, mun.
TWIN TOWN VS TRAINSPOTTING: đ„
Everyone compares the two, but letâs clear this up â Trainspotting is the cool cousin in a leather jacket. Twin Town is the insane uncle in a trackie who farts during funerals and sets fire to his shed while singing Cwm Rhondda.
And honestly? Weâd rather get drunk with the uncle.
TIDY LITTLE NUGGETS: đ§
The Ifans boys? Legends. Rhys went on to be Lizard Man in Spider-Man and Howard Marks in Mr Nice, but this was his proper star turn. A performance so off-the-wall it probably needs its own warning label. Director Kevin Allen is Keith Allenâs brother â which explains a lot. The karaoke scenes were real. So was the madness. Apparently, filming got so wild the local Swansea council wanted to ban the team from ever coming back.
RIFF REPORTâS VERDICT: đŽ
Twin Town is a pure, chaotic, Welsh masterpiece. Itâs crude, rude, loud, proud, and it doesnât give a flying Dai what anyone thinks. It captures a very real slice of life from 90s Wales â even if that slice is sprinkled with cocaine and petrol.
Itâs the kind of film you watch with your mates, cackle your head off, then question your life choices.
In other words: PROPER JOB.
FINAL RIFF RATING:
đđđđđ / 5 DRAGONS
âWould watch again with a can of Red Stripe and a bag of Scampi Fries.â
TWIN TOWN IS LOVE. TWIN TOWN IS LIFE.
Have you seen it? Got a dodgy copy on VHS somewhere? Can you still quote every line like youâre in the karaoke bar with Fatty Lewis himself?
Tell us on staging.theriffreport.co.uk/ or shout us on socials @theriffreportuk đ€
And remember, if you donât like itâŠ
âWeâre not in f***ing Neath.â
Diolch for reading, legends. Now go do something Twin Town would absolutely not approve of. đ§šđ€
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene specialâfrom legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether heâs battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, heâs always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When heâs not writing or interviewing artists, youâll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than musicâtheyâre about community, friendship, and creating memories that last a lifetime. Thatâs exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. đ€
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