Oasis fans don’t mess about – especially when Liam and Noel Gallagher are playing together in their hometown for the first time in decades. Tickets? Pfft. Who needs them, apparently?
Last night at Heaton Park, things got very Definitely Maybe – but not in the way anyone wanted. With security struggling to contain the masses, crowds of fans without tickets reportedly stormed the fences, ignored stewards, and pushed their way into the venue in scenes that looked more like a Black Friday stampede at Currys than a peaceful summer gig.
And now, we’re asking the question: what can the police and security actually do to stop this madness – and at what point should the plug be pulled for safety?
Let’s break it down. It’s part gig report, part crowd control guide, and part public safety scream.
🛡️ WHAT CAN POLICE & SECURITY DO WHEN FANS GO FULL GALLAGHER?
Oasis fans are a passionate bunch – and when Live Forever kicks in from behind a fence, you can bet your last pint of Strongbow someone’s going to try to climb it. But here’s what event organisers, police, and security should already have in place when staging something this enormous:
🔐 1. Reinforce the Fencing (No More Wibbly Metal Barriers, Please)
- Use double perimeter fencing, anti-climb mesh, and barriers with inward-leaning tops. Basically, the opposite of “easy to scale.”
- Buffer zones between the outer and inner fence layers can slow intruders and give police time to act.
- Install ground spikes or sandbag barriers to block vehicles or mass charges.
🚓 2. Deploy the Big Boys: Riot Control, Drones & Dogs
- When security is outnumbered, public order police units (yep, the riot squad) can be called in to maintain control.
- Drones with real-time video feeds help monitor movement around fence lines and choke points.
- Mounted police and K9 units act as visible deterrents and can rapidly clear paths.
🚫 3. Shut It Down – But Not the Gig (Yet)
- Block breached entrances with barricades and redirect crowds to official access points.
- If needed, close nearby roads and public transport links temporarily to stem the flow.
- Re-route crowd flow inside the venue to avoid bottlenecks near the stage or merch areas.
👮♂️ 4. Section 35 Dispersal Orders & On-the-Spot Arrests
- Police can use Section 35 of the Anti-social Behaviour Act to force people out of an area for up to 48 hours.
- Breaching fences, disrupting safety protocols or charging entry points? You’re risking:
- Trespassing
- Endangering public safety
- Public nuisance
- And yes, being removed by Liam himself (probably while smoking a cig)
📢 5. COMMUNICATE OR FACE THE CHAOS
- Use event apps, PA systems, and social media to keep everyone in the loop – including stern warnings to deter copycats.
- Warn about legal consequences. Remind people they could be banned from future gigs.
- Get Liam and Noel to record a video saying, “Chill out or we bin it.” It’ll work better than any police order.
🧨 WHEN SHOULD THE EVENT BE CANCELLED?
This is the nuclear option – but safety comes first. The event should be called off immediately if any of these red flags go up:
❗ If…
- There’s mass breach of security perimeters and no ability to control or monitor the crowd.
- Medical access is blocked and emergency services are hindered.
- There are reports of crush injuries, trampling, or structural collapses.
- Security or police are overwhelmed, unable to hold key positions.
- Local authorities issue a major incident declaration.
🤕 Learn From the Past
This isn’t the first time a crowd surge or fence breach has led to chaos. We’ve all learned from:
- 🕯️ Roskilde Festival 2000 (Pearl Jam crowd crush)
- 🕯️ Astroworld 2021
- 🕯️ Woodstock 1999 – aka “Let’s set everything on fire and punch each other to Limp Bizkit”
So when you start seeing crowd control breakdowns, organisers need to act fast, or cancel altogether.
⚠️ WHO’S RESPONSIBLE FOR SORTING THIS MESS?
- Private security (usually Showsec or G4S) are your yellow-jacketed frontline.
- Greater Manchester Police hold the power to escalate and arrest.
- Manchester City Council can revoke licences on the spot for breaches.
- Promoters (like SJM or Live Nation) are ultimately accountable. They set the stage – literally and legally.
🎤 THE OASIS FACTOR: WHY THIS KEEPS HAPPENING
This isn’t a Travis Scott gig or a last-minute secret show – it’s Oasis (well, kind of). And you know the following is intense. So why wasn’t this prepared for?
Here’s why it keeps going wrong:
- They underestimated the demand. You’re in Manchester. What did you think would happen?
- The fences were rubbish. Seen sturdier ones on a primary school playground.
- Social media hype exploded. “Just jump the fence mate, it’s Mancunian tradition!”
- Ticket resale prices were insane. Pushing desperate fans into desperate actions.
- No crowd flow planning outside the venue. Massive mistake.
💬 FINAL THOUGHT
Oasis fans will always be passionate – and maybe a bit wild. But storming fences, ignoring safety, and putting lives at risk isn’t rock ’n’ roll – it’s reckless.
To the fans: we get it. You want to see your band in your city.
To the organisers: sort your fencing out. And maybe invest in some actual barriers next time.
To Liam and Noel: maybe reunite properly and do a multi-night stadium residency instead? Just saying.
Until then… stay safe, don’t be a nobhead, and respect the fence. ✊
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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