From spinning fur to taco-shaped madness — a proper job celebration of the weirdest axes ever built!
🎤 Intro: When Rock Got Weird (And Wonderful)
There comes a point in every rocker’s life when a regular Les Paul just won’t cut it anymore. You need something louder, shinier, stranger — something that makes people in the front row go, “What the actual hell is that?”
From ZZ Top’s fuzzy whirligigs to Prince’s royal hieroglyphics, rock history is littered with absolute chaos on six strings. So grab a pint, strap in, and let’s take a look at the most insane, iconic, and utterly bonkers guitars ever to grace a stage. 🥁🔥
🧥 ZZ Top – The Spinning Fur Guitars
These weren’t just guitars — they were fashion statements from outer space. Billy Gibbons and Dusty Hill unveiled their matching white, furry, spinning instruments during the “Legs” era, and the crowd went wild. They looked like electric sheep on acid — and they spun in unison!
🧔♂️ Fun fact: The fur was sourced from real sheepskin (before the days of PETA nightmares), and the guitars were custom-made by Dean Zelinsky. Proper 80s excess, mun.
🪕 Bill Bailey – Gary Hutchins Six-Neck Guitar
Britain’s most metal comedian doesn’t just shred jokes — he actually shreds. His six-neck guitar, built by luthier Gary Hutchins, looks like something you’d need a forklift to pick up. Bailey claims it’s “for when you can’t decide which tuning you fancy tonight.”
🎶 Fun fact: It covers everything from banjo to sitar tones. Only in the UK, butt.
🤘 Nigel Tufnel – The Marshall Stack Guitar
Because why play through your amp when you can be your amp? In true Spinal Tap fashion, Nigel Tufnel built a guitar shaped like a miniature Marshall stack — and yes, it goes to eleven.
😂 Quote: “This one doesn’t just make noise. It makes history.”
⚔️ Michael Angelo Batio – The Double & Quad Guitars
If you’ve ever thought, “I wish I could solo with both hands at once,” you’re thinking like Michael Angelo Batio. His double-neck and infamous quad guitar make him look like a metal tarantula — four necks, four pickups, endless riffs.
🔥 Fact: He once played both necks simultaneously on live TV, just to flex.
🎯 Rick Nielsen – The Five-Neck Beast
Cheap Trick’s Rick Nielsen looked at the double-neck and said, “Nah, not enough.” So he made a five-neck guitar. FIVE. It weighs nearly 14kg and looks like a weapon from a cartoon.
🎸 Bonus point: One neck is fretless, one is tuned differently, and one’s purely for showing off.
🐉 Steve Vai – The Hydra
This one isn’t a guitar — it’s a monster from the underworld. Part harp, part bass, part steampunk fever dream, Vai’s Hydra has multiple necks, harp strings, MIDI triggers, lights, and even dragon heads.
💀 Quote from Vai: “It took me years to tame the Hydra. Now it growls when I want it to.”
📦 Bo Diddley – The Square Guitar
Old-school cool. Bo Diddley made his own rectangular guitar in the 1950s because he didn’t like the way round guitars looked when he moved on stage. It became an icon of early rock ‘n’ roll style — minimal, mean, and absolutely tidy.
🎻 John Paul Jones – Triple Neck Mandolin
Led Zeppelin’s bassist didn’t just slap strings — he engineered madness. His triple-neck mandolin/bass/guitar hybrid made sure every track sounded like it was played by an army.
🎶 Best seen: During “Ten Years Gone” live. It’s musical witchcraft.
💜 Prince – The Love Symbol Guitar
A guitar shaped like his own name. Of course. The purple funk king designed it himself, and it screams “divine ego” in the best way. He used it during his “Love Symbol” era, and it remains one of the most jaw-dropping instruments ever made.
👑 Fun fact: It was custom-built by Jerry Auerswald and worth over $100,000.
❤️ Steve Vai – The Ibanez Triple-Neck “Red Heart” Guitar
Another Vai masterpiece — a triple-neck guitar shaped like a giant heart. Because nothing says “I love music” like a literal, playable organ.
🪶 Pat Metheny – Pikasso Guitar
42 strings. Let that sink in. This jazz wizard’s Pikasso guitar looks like an Escher painting come to life. Built by Linda Manzer, it’s got four necks, 42 strings, and zero shame.
🎨 Fun fact: It’s named “Pikasso” because it looks like something Picasso would have dreamt up after three espressos and a bottle of Merlot.
🪓 Gene Simmons – The Axe Bass
You can’t get more metal than turning your bass into a literal axe. Gene Simmons’ bass could double as a stage weapon — and probably has.
💀 Bonus: He had multiple versions made — all capable of making your ribs vibrate from ten rows back.
🥃 Michael Anthony – The Jack Daniel’s Bass
Van Halen’s bassist made sure his gear matched his lifestyle. His bass looked like a whiskey barrel and even had a “fill level.” Iconic, daft, and 100% rock ‘n’ roll.
🐦 John Entwistle – The Buzzard Bass
Designed by The Who’s thunderous bassist, this was sleek, deadly, and perfectly balanced. It looked like a fighter jet and sounded like one too.
🎵 Fun fact: Entwistle co-designed it with Warwick — it’s now a collector’s item.
⚾ John Fogerty – Baseball Bat Guitar
Fogerty’s all-American axe was shaped like a baseball bat. Subtle? Not even slightly. But it knocked it out of the park.
✝️ Ian Hunter – Maltese Cross Guitar
Glam rock’s flashiest relic. Hunter’s custom Maltese Cross became a glam icon — and was recently recreated by Gibson for charity.
👣 Bumblefoot – Vigier Flying Foot Guitar
Ron “Bumblefoot” Thal (ex-Guns N’ Roses) plays a foot-shaped guitar. Because, why not? It’s surprisingly ergonomic and unbelievably ridiculous.
🌮 Andrew W.K. – The Taco Guitar
Party hard. Eat tacos. Play tacos. Andrew W.K.’s taco-shaped guitar sums up everything brilliant about being unhinged in rock music. 🌮
🧠 Misa Kitara – The Guitar MIDI Controller
Part synth, part touchscreen — this digital axe made the future look proper lush. It’s less a guitar, more a science experiment with riffs.
⚡ Dave Hill – Super Yob Guitar
Slade’s glam god Dave Hill designed this lightning bolt beauty himself. It’s shiny, silver, and utterly iconic.
⚡ Fun fact: It now lives in the V&A Museum, because glam rock is art.
🫠 John 5 – Lava Lamp Telecaster
It glows. It bubbles. It’s a lava lamp you can play. John 5 took Fender Telecaster madness to new heights with his psychedelic light-up axe.
☠️ Ginger Wildheart – Smiley Bones Guitar
Bones, smiles, and punk swagger — this guitar looks like it was made in a graveyard by a cartoonist. And that’s why it rules.
⚰️ Zakk Wylde – Graveyard Disciple
Coffin-shaped and deadly. Perfect for Sabbath riffs and funeral gigs alike.
🔵 Eric Bloom – Blue Öyster Cult Logo Guitar
If your band logo’s cool enough, why not turn it into an instrument? Bloom did just that. Pure cult power.
⭐ Bootsy Collins – Star-Shaped Space Bass
The funk god descended from another galaxy with a star bass covered in glitter and LEDs. It’s not just a bass — it’s a UFO. 👽
🔴 Brian May – The Red Special
Built by hand from fireplace wood, Brian’s “Red Special” isn’t weird by shape — but it’s wild in soul. One of the most iconic home-built guitars in rock history.
🪙 Todd Rundgren – Veleno Ankh Guitar
A fully metal guitar that looked like a disco relic. Rundgren’s Veleno Ankh shone like a mirrorball on stage.
🕶️ Dave Mustaine – Dean V Double Neck
Megadeth’s frontman needed twice the firepower. The double-neck Dean V is pure thrash royalty.
❤️ Rob Davis – Heart-Shaped Guitar
Mud’s guitarist built a guitar that looked like it belonged in a Valentine’s Day card — and it somehow worked.
☁️ Prince – The Yellow Cloud Guitar
Another Prince gem. Sleek, sexy, smooth curves — pure funk royalty in yellow lacquer.
👴 Rick Nielsen – Uncle Dick
Yes, it’s a guitar shaped like a man. Nielsen’s “Uncle Dick” is half guitar, half horror movie prop — and 100% iconic.
🧬 Michael Angelo Batio – Quad Guitar (Again!)
It deserves its own encore. The man literally built a four-headed monster and tamed it.
⚙️ James Hetfield – The Carl Guitar
Metallica’s frontman took recycling to a whole new level — a guitar made from car parts. It’s heavy metal in the most literal sense.
👔 Dan Hartman – The Bass Suit
Yes, a suit that’s also a bass. He wore it and played it live. Imagine being your own rhythm section!
📱 Stig Pedersen – The iPhone Bass
D-A-D’s bassist built a bass shaped like a giant iPhone. And the touchscreen worked. Forget “FaceTime” — this was “BassTime.”
🎸 Final Thoughts: The Louder, The Weirder, The Better
Rock ‘n’ roll has never been about following the rules — it’s about smashing them to bits with style and feedback. Whether it’s fur, flames, tacos or telephones, these guitars prove one thing: you can’t tame a true riff beast.
C’mon butt — which one’s your favourite? Drop it in the comments below and tell us what your dream ridiculous guitar would be. A kebab-shaped Flying V, maybe? 😜
🎶 The Riff Report – Loud, Proud, and a Bit Daft. Always. 🤘🏴
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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