AKA: “Even the Devil had his off days, butt…”
Oi, c’mon then! Let’s summon the spirits of molten riffs and metal mayhem, ‘cos we’re diving headfirst into the infernal pit of Black Sabbath’s discography and ranking every studio album from “nah, mate” to “bow down before the metal gods!” 🤘🔥
This is pure riffology, sprinkled with a dash of chaos and a big ol’ cauldron of doom. From Ozzy’s wild wails to Dio’s dragon-slaying howls and the forgotten ‘80s chaos—we’re not holding back.
20. Forbidden (1995) 😬
Even Tony Iommi himself said this one was “a mistake.” Produced by Ernie C of Body Count fame, this attempt at mixing Sabbath with streetwise grit was… well, not forbidden enough. Ice-T guest stars. Yes, really.
🧂 Tastes like: reheated riffs with a side of “what the hell is going on?”
19. Never Say Die! (1978) 😵
The wheels were falling off the tour bus by this point. Ozzy had one foot out the door (literally), and the album sounds like a band losing the plot. Title track rocks, though.
🎈 Vibe: Prog-ish, confused, kinda fun in a “pub closing down” way.
18. Technical Ecstasy (1976) 🧪
Sabbath go soft rock? Well, not quite, but the raw heaviness got traded for synths and weirdness. Still some underrated moments like “Dirty Women,” though.
🛁 Cleanest Sabbath ever sounded. That’s not a compliment.
17. The Eternal Idol (1987) 🕯️
Tony Martin’s first go on vocals. Not terrible, but not particularly inspired either. A few solid Iommi riffs save it from the fire.
🐉 Best played while painting Warhammer minis in your mum’s attic.
16. Headless Cross (1989) ⚔️
You can feel the power metal creeping in here. Tony Martin belts like he’s leading a D&D campaign. Campy but cool.
🎃 Halloween vibes for days.
15. TYR (1990) 🏹
The most Dio-sounding Sabbath album… without Dio. Lush production, Viking lore, and chest-thumping anthems. A cult favourite!
⚡ Secretly banging if you like your Sabbath epic and majestic.
14. Seventh Star (1986) 💍
Was never meant to be a Sabbath album—it was supposed to be Iommi solo. But label said “nope!” and we got this bluesy, glam-tinged curveball with Glenn Hughes on vocals.
🎙️ Sounds more like Whitesnake Sabbath.
13. 13 (2013) 🔥
The “comeback” with Ozzy. Rick Rubin produced. Mixed feelings all round—it’s heavy, doomy, nostalgic, but overlong and missing Bill Ward’s groove.
🪦 Basically Sabbath doing Sabbath karaoke, but still a proper send-off.
12. Cross Purposes (1994) ☠️
Another Tony Martin entry! Actually decent, if a bit lost in the ’90s. “Cross of Thorns” is an overlooked gem.
🔮 Feels like Sabbath were trying to find their mojo again.
11. Dehumanizer (1992) 💾
Dio returns! The album’s industrial-tinged doom caught fans off guard, but it slaps hard. Heavy as a concrete cathedral.
💀 Imagine Sabbath on a Terminator soundtrack.
10. Mob Rules (1981) 🗡️
Dio’s second album with the band. Glorious metal gallop and some huge moments (“The Sign of the Southern Cross” is an epic).
🏴☠️ Feels like sailing into war with a dragon as your co-pilot.
9. Born Again (1983) 👶
Ian Gillan (Deep Purple) joins, gets drunk, writes “Trashed,” and laughs through rehearsals. Sounds like it was recorded in a haunted bathroom. Cult classic status, though.
🧌 Raw, ugly, brilliant.
8. Sabotage (1975) 🧨
Paranoid energy meets studio tension. It’s chaotic, dark, and has some of their most unhinged playing. Underrated masterwork.
⚖️ Feels like you’re witnessing a band hold it together with duct tape and riffs.
7. Vol. 4 (1972) 🍌
Soaked in cocaine and experimental madness, Vol. 4 gave us “Supernaut” and “Snowblind.” A wild ride.
❄️ The album where Sabbath started getting weird.
6. Sabbath Bloody Sabbath (1973) 🩸
The riffs grew teeth. Synths sneak in. Ozzy’s vocals soar. And the title track? Monster.
🏰 Feels like you’re getting hit by a riff inside a castle.
5. Master of Reality (1971) 🌫️
Tuned down, riffed up, and full of sludgey brilliance. Gave birth to doom metal as we know it.
🔊 “Children of the Grave” = instant neck ache. Lush.
4. Heaven and Hell (1980) 😇🔥
Dio arrives. The band is reborn. “Neon Knights” kicks the door down. “Heaven and Hell” the song? Absolute metal gospel.
🐐 Tony Iommi + Ronnie James Dio = proper job.
3. Black Sabbath (1970) 🌧️
The one that started it all. The title track’s first thunderclap still raises hairs. Gloomy, bluesy, satanic goodness.
🕷️ Doom was born here. Only in Birmingham, mun…
2. Paranoid (1970) 🧠
You know the hits. “War Pigs,” “Iron Man,” “Paranoid.” All killers, no fillers. Pure riff perfection.
🎖️ The album that made metal a thing. Essential.
1. Sabotage (1975) – Yes, AGAIN! DOUBLE ENTRY?! 🤯
Nah butt, just kidding. The real #1 is…
1. Sabotage (Again)? Nope!
1. Vol. 4?! NOPE.
(Okay okay okay, for real…)
1. Sabbath Bloody Sabbath – FIGHT US. 🩸👑
Diverse, adventurous, and crushing. This is Sabbath at their most creative, heavy and theatrical. Every track hits. Every riff devours. Plus, that cover art? Iconic.
🕯️ It’s Sabbath. It’s bloody. It’s the blueprint for everything heavy that came after. Diolch.
Honourable Mentions:
- Live Evil and Reunion aren’t studio albums, but they’re both tasty.
- Past Lives deserves love for showcasing how wild they were live in their early days.
- Bill Ward’s beard deserves its own top 10 list.
Final Words:
Black Sabbath aren’t just the godfathers of metal—they’re the blueprint, the bible, and the bloody bedrock. Even their missteps are fascinating. So go on, revisit the discography, crank that amp, and remember:
“What is this that stands before me?”
— Probably Ozzy, wondering where he left his slippers again. 🧙♂️
Which Sabbath album do YOU reckon is most underrated? Drop us a message, or shout it into the void (or the Steelhouse campsite). Either works. 😈
#TheRiffReport 🖤
#SabbathSundays
#DoomTillWeDie
Michael is the founder, editor, and chief riff wrangler behind The Riff Report, an independent Welsh rock and metal publication built by fans, for fans. With a lifelong passion for loud guitars, unforgettable live shows, and the incredible community that surrounds rock and metal, he created The Riff Report to celebrate everything that makes the scene special—from legendary headline acts and grassroots venues to rising bands that deserve to be heard.
A familiar face at festivals across the UK, Michael spends much of the year covering events including Download Festival, Bloodstock Open Air, Steelhouse Festival, Firevolt, Plumpton Revival, and many more. Whether he’s battling the Welsh weather on a mountainside, surviving a weekend in a muddy campsite, or squeezed against the front barrier with thousands of fellow fans, he’s always searching for the next great story to share.
As editor of The Riff Report, Michael writes festival guides, breaking news, album reviews, gig reviews, interviews, opinion pieces, nostalgia features, and behind-the-scenes stories from across the rock and metal world. His writing combines honest opinions, humour, and a genuine love for live music, bringing readers closer to the bands, festivals, venues, and people that keep the scene alive.
Michael is particularly passionate about supporting independent artists, local venues, charities, and the wider UK rock and metal community. He believes every band deserves a chance to be discovered and every festival has a story worth telling. Through The Riff Report, he aims to shine a spotlight on both the biggest names in rock and the future stars waiting to break through.
When he’s not writing or interviewing artists, you’ll probably find him exploring festival campsites, photographing live shows, chatting with fellow fans over a pint, or planning the next road trip in search of more riffs, bigger crowds, and unforgettable moments.
Above all, Michael believes rock and metal are about more than music—they’re about community, friendship, and creating memories that last a lifetime. That’s exactly what The Riff Report exists to celebrate.
Proudly Welsh. Proudly Loud. Always chasing the next great riff. 🤘
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